We're back! Ready to do Lesson 6 from THE POWER OF QUESTIONS? Ready to hear about my goofy cats? See an excerpt from one of the Boardroom Baby stories? How about an excerpt from one of the books in my Maid's Duet? Maid for the Single Dad?
Ready to comment for a chance to win a copy of both books in the Duet Maid for the Millionaire
and Maid for the Single Dad?
It's all here. Along with the information about the Pennwriters workshop PREPPING FOR NANO, which begins in October.
And speaking of workshops. I'm keeping my schedule at four again next year. No repeats. Each workshop only given once. Technically, I'm giving each group that approaches me an "exclusive" for a year! LOL
I haven't decided what RWA chapters to approach...so I thought I'd ask you. Is there anyone here who'd like me to approach their chapter?
Email me through Contact Susan at susanmeier.com. Or comment here.
So what have I been up to this summer?
As most of you know, my husband retired. He's a considerate, quiet man -- mostly because he knows I need mornings to write and we need my income! :)
But he's usually a great guy. Retirement has made him even more so. I asked him about his super-agreeability and he told me that with no bosses to worry about life is pretty fun.
So is golfing every day. :)
My family is continuing our tradition of Wednesday morning breakfasts. Because there are a few teachers and school employees in my family all of whom have summers off, we get together every Wednesday morning and eat breakfast.
These are great events. The kids come, so at least once a week I get to see my nieces and nephews, and great-nieces and nephews. They chase my cats. We all eat blueberries. And no matter whose house we go to that Wednesday, there's always a fantastic surprise. My sisters and nieces are wonderful cooks ... and this year we had a birthday cake for my brother John to go with my eggs and sausage (and blueberries).
There's nothing like a good family tradition to make memories. Our hope is that all the kids who attend these breakfasts someday look back and this and smile.
Okay...on to Lesson 6 where we delve a little deeper into the making of a good list of 20.
susan
For the Writers Among Us
Lesson 6: How to do the List of Twenty
In the last lesson, once we wrote a great question, I hinted that there are specific tricks to doing a list of twenty. I mentioned the power of the ridiculous and the power of writing down opposites. But there are actually four guidelines to a good list of twenty.
1. Write down everything you think of. Don’t judge, just write! Let your brain work!
2. When you’re stumped write down the opposite of what you have.
3. Refine answers that are close but not quite what you want.
4. Never underestimate the power of the ridiculous answer.
Let’s start with point 1: Write down everything you think of. Don’t judge, just write.
When you judge too quickly, your brain begins to shut down. Or it runs along typical, familiar, acceptable paths. That might seem great, but it isn’t. In order to shake yourself out of the familiar, to come up with a story that’s “the same” yet “different” (How many times have we heard that!) your brain needs to be able to stretch. It will not stretch if you criticize. It will stop.
You need to come up with ridiculous answers to free your mind. But we’re jumping ahead of ourselves here, so the best way to explain all this to you is through an example.
Let’s say you have a hero and heroine who are stuck in a cabin in the woods and you think…Okay, now what? Not only are there 10 other stuck-in-the-cabin-in-the-woods books this year, so I need to distinguish myself, but also I want to write something interesting. Something cool.
And by the way, that’s how people like me who write book after book after book and want to satisfy an existing audience without repeating ourselves do it. We figure out the way THIS BOOK can be different. Can distinguish itself. Can be spectacular. And don’t we all want to write something spectacular? Something that fits the market, yet somehow transcends it. No matter if you’re writing fantasy, crime, mystery, thriller or whatever…you still want your book to be spectacular. This is how you make it a cut above the rest!
So, say, we have a hero and heroine who are stuck in a cabin in the woods…and we want to make a "list of 20" so that we can come up with something “fresh” for this story.
At the top of your pages you write…My hero and heroine are trapped in a cabin in the woods…What could happen to make this really, really interesting?
That question might seem a bit vague, but sometimes vague is good. We’re just starting out with this book, feeling our way around, trying to figure out if we can come up with something that’s unique and worthy of our time…so we give ourselves a little leeway! LOL
Okay, so the question is… My hero and heroine are trapped in a cabin in the woods…What could happen to make this really, really interesting?
You list:
1. The furnace doesn't work and they have to snuggle together. (Remember no judgment! No saying one is right or wrong or better or stupid or ridiculous or too cliché . . . Just keep writing.)
2. She has no luggage and has to wear his clothes. (Could be funny. And eventually intimate.)
3. They sleep in bedrooms across the hall.
4. He sleeps on the sofa and gets a backache.
5. He catches her in the bathtub.
6. Somebody else arrives.
7. Her dad is with them.
8. She has a child.
9. They hear a radio report that a killer is on the loose (Is this a suspense…Or just a really cool way to get them into the same bedroom? LOL)
10. The storm gets worse.
11. The storm ends…
Oh…Oh…what did we just do? Something that was opposite of a good idea was actually a better idea. Or at the very least a unique direction for us to try with our "typical" story idea. In most cabin-in-the-woods books (a/k/a close proximity books) the situation gets worse. Could your situation get better? Could it appear that he's leaving? Could they have a gray moment? Could there be angst? Could they sleep together, thinking it's a fling that will be over the next morning because the storm is over and he'll be leaving, only to discover that after he drives off, he has to come back because the bridge washed out. So now they have to face each other after sex that wasn't supposed to happen.
Wow. That could be cool or funny or powerful! At the very least it would be emotional.
Opposite answers can turn everything on its proverbial ear! And notice how that one answer turned into another five or six possible answers to the "what will make our cabin in the woods story different" question!
So every once in a while writing down an "opposite" of your idea is a very good way to shake things up. Particularly since sometimes the opposite of an "expected" answer is actually the right one.
That’s it for this lesson. For your homework, I’d like you to create a question as well as a list of twenty for a spin on the marriage of convenience story. This is something we’ve all seen…so can you create a crafty question that would help you come up with 20 spins on this story, so that you can eventually find one that hasn’t been done…or one that would make your story stand out in a crowd?
I know not everyone will get to 20, but I think it will be fun for you to see how many spins you can put on a Marriage of Convenience!
(As I’ve said, this is how those of us who have been writing the same six or eight stories for the past 20 years come up with “fresh” ideas for our books!)
susan
Coming Attractions
Coming in October PREPARING FOR NANO at Pennwriters.com
COURSE DESCRIPTION:
Everybody believes NaNoWriMo (National Novel Writing Month, which runs every November at www.nanowrimo.org) is a race against the clock, a fight with procrastination and inertia. In some ways it is. But once you’re in the thick of things, you’ll discover NaNo is really all about ideas. Writers don’t stall because they’re lazy. Writers stall because they don’t know what to write next.
The month BEFORE NaNo, get proven tips from Susan Meier—the author of almost 50 books for Harlequin and Silhouette—and let her take you through several different ways to examine the story you want to write, to capture the natural scene possibilities within your idea, to generate new ideas, and to push yourself through the most grueling, but fun, month you will spend this year! Lessons include:
* The List of 20 (How to generate ideas quickly so you have little downtime when your natural ideas run out)
* Turning a “Want” into “Need” (How does knowing why you’re writing this book provide you with both energy to write and ideas for your story?)
* The One-Paragraph Story Summary (Say it succinctly…3 kinds of one-paragraph story summaries: back cover blurb, core story question, and growth paragraph)
* Could, Might, Must and Should List (How to capture ideas that spring up naturally)
* Storyboard Versus Synopsis (Breaking your idea down into manageable bites)
* The Psychology of Pushing through the Hard Times (What to do when you get stuck)
* The Psychology of a Draft (Push, push, push!)
* What Are You Doing in December? (Editing tips)
TESTIMONIALS:
“I was bowled over by how helpful it was. Susan was ever patient and ready to offer feedback and encouragement. The course material was broken down so that it was easy to understand but it pushed me to dig deeper and really understand my story. I would not hesitate to recommend this course in the future or any course with Susan Meier.”
- SGM
Fantasy writer
“Susan Meier generously shares her knowledge and shapes it to fit your needs. She is enthusiastic and encouraging. This course helped me to fill in the gaps, taking my plot from mundane to magnificent! Thanks, Susan!”
- JBS
Cat Tails
Fluffy in a box.
There's no tail today...just a picture which is worth a thousand words.
If you think it's funny to see him squished in that box, you should see how he twists and turns to actually get himself inside!
This Month's Short
FALLING FOR THE PLAYBOY
Even exiting one of his family’s private jets, Michael Andreas didn’t look like a wealthy heir. Heeding his cousin Gino’s warning to avoid being ostentatious, he wore jeans and a T-shirt. He skipped the family limo and instead called a cab, giving the driver the address Gino had scribbled on a business card.
When they reached the old building in an even older New York City neighborhood, Michael’s eyes narrowed. “Are you sure this is the place?”
“That’s the address on the card, buddy.” The driver held out his hand. “Pay up.”
Michael handed him a credit card, added a generous tip to the bill and got out. Duffle bag over his shoulder, he walked into the building only to discover there was no elevator. He shook his head. Love had certainly done weird things to his normally sane, pragmatic cousin.
After climbing four flights of stairs, he followed the sound of music to the apartment at the end of the hall. The door was open. Guests dressed in jeans and T-shirts spilled out into the hallway. Edging his way into the apartment, he smiled. Renovated. Thank God.
He tossed his duffle bag behind a beige leather sofa and ambled up to the bar. “Scotch. Neat.”
The bartender grabbed the bottle. A pretty brunette walked up beside him. Her hair was a glossy waterfall of sable curls that fell just a bit past her shoulders. Her wide blue eyes were cautious. The T-shirt she wore showed off an hourglass figure. Something he didn’t often see in his world. Women who lived in his tiny North Carolina beach town seemed to believe that thinner was better. He didn’t like to disagree with ladies but that whole thin thing wasn’t the way to attract a man.
Taking his Scotch from the bartender, he faced the brunette. “So, come here often?” Considering that this was a housewarming to show off a newly renovated apartment that no one had seen, he thought that was a pretty good joke.
She didn’t turn to look at him. Only her eyes moved. Taking him in through her peripheral vision, she asked, “Is that a joke?”
He laughed. “Actually, yes.”
“Well, it’s a poor one.” She took her wine from the bartender. “Excuse me.”
He blinked.
Normally when women saw his chin length curly black hair, catlike green eyes and shadow of dark whiskers, they didn’t actually swoon, but he had seen some breath-stuttering.
Something wasn’t right here.
He pivoted and caught up to her at the sofa. It surprised him that it was empty, considering the number of guests, but he wasn’t complaining.
Acting as if it was a foregone conclusion that he would follow her, he plopped down beside her. “I’m Michael Andreas. Gino’s cousin.” He extended his hand to shake hers. “And you are?”
This time, she turned to him. She studied him the same way a scientist examined a bug under a microscope before she smiled sweetly and rose. “Not interested.”
With that she walked away, blending into the dense crowd. Michael felt as if somebody had slapped him. It wasn’t that he was vain. It was more that women liked him. Having grown up with two sisters and an adorable mom, he’d quickly learned the ins and outs of getting on their good side and he’d taken the experience with him into the dating world. He more than treated women with respect; he was good to them.
He was sweet, damn it!
He hoisted himself off the sofa and angled his way through the crowd. He found the brunette standing in a small cluster of people. His eyes narrowed. She wasn’t actually in the cluster. She was looking at a piece of art on the wall beside the cluster.
He frowned. People normally came to parties to meet other people. To mingle. And he’d introduced himself. It didn’t make sense that she’d ditch him to stand alone.
He downed his drink and walked back to the bar. He ordered another Scotch and a glass of white wine. Holding the two drinks above his head, he made his way through the crowd to the brunette.
“When I finished my drink, I figured you’d probably finished yours.” He offered her the wine with a smile.
She hissed out an annoyed breath and presented her still full glass to him. “No. I haven’t.”
Her blue eyes glittered with irritation, but her attitude didn’t match the soft curly hair falling around her or the soft body outlined by the blue T-shirt and jeans.
Something was definitely off here.
Frustration with her attitude quickly turned into challenge. It had been a while since a woman had flat out turned him away. So maybe he was getting soft? Maybe he needed a test to get him back on his game?
He chugged her wine, set the glass on an available table and smiled. “Problem solved.”
With a sigh of disgust, she turned away at the same time that Gino came ambling over, his arm around his fiancée, blonde-haired, blue-eyed Bethany Johnson.
“Michael!” Bethany caught his shoulders and pulled him down for a kiss on the cheek. “I see you’ve met Lucy.”
He planted his tongue in his cheek. “I’ve been trying to meet Lucy.”
Gino slapped him on the back and pointedly steered him away from the girls. “Let me buy you a Scotch.”
He glanced back to where Bethany was happily chatting with the woman he’d intended to pursue. “I’ve had two and a glass of wine.”
“Are you driving?”
“I took a cab.”
“Then you can have seven and as much wine as you want.” He ordered two Scotches and handed one to Michael. “Besides I want to show you what we’ve done to the place.”
Lucy Donovan blew her breath out on a sigh, watching Michael Andreas walk away with her cousin Gino.
“Are you okay?”
She returned her gaze to Bethany. “I’m fine.” Seeing the concerned expression on her friend’s face, her chest tightened. Not with sadness but with misery. Would she forever be the poster girl for being dumped and unhappy? “I’d actually be better if everybody would stop asking if I’m okay.”
Bethany winced. “I know. But it’s only been two weeks since Justin… well…asked for his ring back. We’re all just feeling a little protective.”
She tried to smile. “I’m fine.”
“Of course, you are. Let’s go meet some people.”
She led Lucy into the crowd and introduced her to six or seven members of the Andreas Holdings staff, people ranging from their early twenties to late fifties, but her gaze drifted over to Michael Andreas.
He was tall, gorgeous, exasperating … Still, he didn’t take himself too seriously. Otherwise, he’d have scurried away when she rebuffed him.
She studied the way his T-shirt caressed his perfect shoulders and well developed chest. There were probably six-pack abs under there too. And why not? The guy lived in paradise. He played volley ball the way Northern guys played golf. Which explained why he was also golden brown.
She’d even been to his family’s beach house a time or two when she was younger. Though she was Whitney Ross Andreas’s second or third cousin, she’d always treated Whitney like an aunt and Whitney and Darius’s children like her cousins. So they’d taken her on beach trips. She knew Michael’s mom and dad. Knew his sisters.
Which meant she also knew he wasn’t the kind of guy to settle down …
But right at this moment she’d shoot the first man who tried to get her into a serious relationship.
She paused. Now that she thought about it, she and Michael Andreas wanted the same thing. A little relief from boredom. A little fun with somebody who wouldn’t take the affair too seriously.
Maybe she’d been too hasty in brushing him off?
To finish the story ... http://susanmeier-happilyeverafter.blogspot.com/
Blast from the Past
MAID FOR THE SINGLE DAD
Chapter 1
Ellie Swanson had not signed up for this.
Yes, she’d agreed to run Happy Maids while her boss, Liz Harper Nestor – took a well deserved honeymoon after remarrying her gorgeous ex-husband Cain. And, yes, she was perfectly capable of supervising the fourteen or so employees on Happy Maids’ payroll for the four weeks Liz would be in Paris. But she wasn’t authorized to make a change in the company’s business plan, as the man across the desk wanted her to do.
“I’m a friend of Cain’s.”
Of course he was. Tall and slender with perfect blue eyes and black hair cut short and businesslike, Mac Carmichael wore his tailored navy blue suit with the casual ease of a man accustomed to handmade suits, fine wines, and people taking his orders. Just like Cain.
“And he told me his wife’s company was the best in town.”
“But we’re a weekly cleaning service. We don’t place maids in clients’ homes.”
“You should.”
A bead of sweat rolled down Ellie’s back. The air conditioning had broken the day Liz left. But Ellie could handle the heat and humidity of June in Miami. What she couldn’t abide was failure. Her first day on the job and already she was turning away a client. An important client. A client who could not only tell Cain that Happy Maids hadn’t come through for him; he could also tell all his wealthy friends – the very people Liz would be marketing to when she returned.
Ellie leaned back on the chair, tapping a pencil on the desk blotter. “Explain again what you’re looking for.”
“My maid quit unexpectedly. I need to hire a temporary replacement while I interview for another one.”
“I can send someone to your house a few times a week to clean,” she said hopefully.
He shook his head. “I have a daughter and a son. They need breakfast every morning.”
“Then I’ll be happy to send someone every day at seven.”
“Lacy gets up at five.”
“Then I’ll have someone at four.”
“I work some nights.”
Ellie gaped at him. “You want the maid to be a nanny too?”
He caught her gaze. His sinfully blue eyes held hers and she fought the urge to swallow as pinpricks of attraction sparkled along her nerve endings.
“And live in.”
She gasped. “Live in?”
“I also pay very well.”
Ah, the magic words. A victim of domestic violence herself, Liz had gotten involved with A Friend Indeed, a charity that helped women transition out of their abusive homes and into new lives. It was a natural fit that Liz should begin employing the women from A Friend Indeed until they got on their feet. Ellie had actually been the first client Liz had hired through a meet at the charity. The company needed every job – especially the good paying ones – to provide work for all the women who wanted help.
Mac rose from his seat. “Look, if your firm can’t handle it, I’ll be on my way.”
He turned to the door.
Stop him!
She bounced out of her chair. “Wait.”
He faced her again. This time she did swallow. His eyes reminded her of the ocean in the dead of summer, calm and deep, and perfect blue. His dark hair gleamed in the sunlight pouring in from the window to his right. High cheekbones angled to blissfully full lips, the kind that made most women take a second glance and wonder what it would be like to kiss him. It should have been pure pleasure to look at him. Instead, the scowl on his face caused Ellie to doubt the intuition that guided her life.
“Yes?”
“I –“ Why had her intuition told her to stop him? She didn’t have anybody who could work as a maid/nanny. Most of Liz’s employees had kids of their own and homes to get back to every night. They couldn’t live in. And that’s what he needed.
“I – um – maybe we can work something out.”
His scowl grew even darker. “I don’t work things out.”
No kidding. She didn’t need intuition to tell her that.
“I want someone today.”
Don’t let him go.
She groaned inwardly, wondering why her sixth sense was so insistent on this. But accustomed to listening to the intuition that had saved her life, she couldn’t ignore it.
“I’ll do it.”
His scowl shifted into a look of confusion. “You?”
“I know I’m behind the desk today, but I’m only filling in for Cain’s wife, Liz. She runs the business herself, but this month she’s on her honeymoon. I’m more than capable of cooking, cleaning and caring for children.”
His eyes held hers for another second or two. Then his gaze dipped from her face to her pretty red dress, and Ellie suddenly regretted her decision to wear something as exposing as the short strapless creation made more for having lunch with friends on a sunny sidewalk café than working in an office. But not having air conditioning had made the choice for her. How was she supposed to know a client would show up?
He smiled and all the air whooshed out of Ellie’s lungs. The temperature in her blood rose to an almost unbearable level. She could have melted where she stood. If this guy lived up north, snowflakes wouldn’t stand a chance against that smile.
“We have air conditioning, so you might want to change into jeans and a T-shirt.” He took a business card out of his jacket pocket, scribbled on the back and handed it to her. “That’s my home address. I’ll meet you there in an hour.” Then he turned and walked out the door.
Ellie collapsed on the office chair. Damn it! What had her intuition gotten her into? Now she not only had all of Liz’s work, she also had a full-time job. More than full-time! She had to live in!
With a sigh of frustration with herself, she lifted the receiver of the phone on the desk and quickly dialed the number for Cain’s personal assistant, Ava.
“Are you busy?”
“Hey, good morning, Magic. How’s your first day going?”
“Abysmally. Don’t call me Magic anymore. I think my intuition is on the fritz.”
Ava laughed.
“I’m serious. Some guy came in here this morning, demanding a full-time maid and nanny – someone to live in – and I volunteered to take the job.”
“Yourself?”
Angling her elbow on the desk, Ellie cradled her chin on her palm. “Yes.”
“Oh, that’s so not like you!”
“I know. But he’s a friend of Cain’s and I worried about disappointing him. My intuition got all jumbled while he was here and before I knew it I was taking the job myself.” She winced. “I was thinking maybe you could find an agency that can get him a real temporary maid, then call him back and tell him I made a mistake.”
“All right. I’ll handle it. Give me his name.”
Ellie flipped the card over. “Mac Carmichael.”
“Oh, damn.”
Oh damn?
“Oh, damn what?”
“Ellie, you’re stuck. He is a major pain in the butt, so not even finding him a real full-time maid would fix this. He’d never change a deal he’s already made. But he’s also somebody Cain’s been courting for years.”
“Courting?”
“His family owns hotels all over the world. Cain’s been trying to get in on the construction end. This might be a test for Cain.”
Ellie lowered her forehead to her palm. “Which is probably why my intuition wouldn’t let me tell him no.”
“I’m guessing,” Ava agreed. “Okay, here’s what we’ll do. It doesn’t matter where I work, so I’ll forward my calls to the Happy Maids office and handle your phone and walk-ins during the day. Then we’ll spend an hour or so together every night doing the day’s paperwork.”
“You’d do that for me?”
“Of course! This isn’t just Happy Maids on the line. It’s also Cain’s business and I’m Cain’s assistant. I have to do whatever needs to be done. Beside, I like you.”
Ellie laughed. “Okay.”
“Okay? Miss Magic, it will be more than okay. We will make it great. You’ll do such a good job for Mac that you’ll earn all kind of brownie points for Liz and Happy Maids, and you might just get Cain the “in” with Carmichael Incorporated that he’s been lobbying for for the past years.”
Elllie sat up. “Yeah. You’re right. This is a good thing.”
“This is potentially a very good thing,” Ava agreed. “And I will do anything at all you need me to do.”
“Handling the office during the day should be all the help I need.”
“I’ll be over in an hour.”
“Bring a key because I have to leave right now. Mr. Carmichael wants me at his house in--” She glanced down at the card again -- “Coral Gables in an hour and I need to pack a bag if I’m going to be living there.”
“You better get a move on.”
“Okay. And Ava?”
“Yes.”
Ellie winced. “You might want to stop on your way and buy a tank top and shorts.”
Ava laughed. “How about if I just call an HVAC repairman?”
“That’ll do it, too. I’ll see you tonight.”
Mac Carmichael raced his Bentley along the winding streets of Coral Gables and onto his driveway. He stopped at the gate, punched a code into the box on the left, opening the gate, and then roared up the stone drive to the side of his huge house. The garage door opened with another press of a button and he zipped inside. As the door closed behind him, he hopped out of his car, walked through the garage, into the butler’s pantry then into the huge gourmet kitchen.
His blond-haired six-year-old daughter Lacy sat at the long weathered-wood table by the French doors, coloring. Nine-month-old son Henry sat in a high chair beside her. His former nanny and current next door neighbor, Mrs. Pomeroy, wiped baby food off his mouth with a wet cloth.
“How did it go?”
He sighed. “Well, I found someone.”
“Great.”
“I’m not sure. She’s--” Tall and blonde and so good looking he damned near turned around and sought out another agency. “Well, she seems a little spacey.”
Eighty-year-old Elmira Pomeroy laughed. “Spacey? Is she a drinker?”
“No, she’s just--” Inappropriately dressed, too pretty for words – “Kind of odd.”
“Are you sure you want her around your kids?”
“She’s not that kind of odd. Besides, I don’t have a
choice. I need total and complete privacy. I can’t risk hiring a big impersonal firm or someone who doesn’t need me enough to keep her silence.”
“You think she’s made the connection yet that if she does well her boss’s husband could make millions?”
He tossed his suit coat over the back of a chair. “I’m hoping. If she hasn’t yet, one call to anybody in Cain’s office will get her the info. That should be the carrot on the stick that keeps her here long enough for me to find someone.” He leaned in over Lacy. “Hey, baby. What are you doing?”
She gave him a patient look. “Coloring.”
“Why don’t you put on your swimsuit and we’ll take a dip while Mrs. Pomeroy is still here for Henry.”
Her heart-shaped face wreathed in smiles. Her blue eyes danced with delight. “Okay!”
She raced from the room and Mac pulled Henry from his high chair. “And how are you today?”
Yellow-haired, blue-eyed Henry slapped a chubby fist on his father’s cheek.
“Feisty, I see.”
“You better believe he’s been feisty.” Mrs. Pomeroy took his bottle from the warmer and tested the temperature. “I’m not sure if he tired himself out enough that he’ll fall asleep immediately after he drinks this or if he’s too wound up to sleep at all.”
“If you have any problems, come and get me from the pool.”
Mrs. Pomeroy’s wrinkled face fell in sympathetic lines. “No. You take the time with Lacy. You both could use a few minutes of fun.”
“I’m fine. I don’t want to shirk my responsibility to the kids.”
“You’re a good dad.”
He pulled in a breath and turned away, trying to make light of her compliment. “I only do what any father should do.”
That was why it never would have even crossed his mind to desert his children the way their mother had. He couldn’t believe any person would be so narcissistic that she’d abandon her kids just because a second child had been inconvenient to her career. Pamela had been so angry to be pregnant again when she’d read the results of her early pregnancy test that she’d packed a bag, left him and filed for divorce within days. She returned to Hollywood, California, where she immediately resurrected her movie career.
Nine months later, she handed Henry over to Mac. She visited once a month, saying it was difficult to fly across the country anymore than that. But on her last visit she told Mac she might not be able to visit in July. The movie she had made while pregnant with Henry was being released and she would be making the rounds of talk shows promoting it. Mac tried not to panic but he couldn’t help it. If anybody asked Pamela about her divorce or her kids, he had absolutely no idea what she’d say. But he did know that if she mentioned their names, he and the kids would become fodder for the paparazzi.
He’d lived his entire life with bodyguards, alarm systems and armor-plated limos. He’d thought he knew how it felt to live under lock and key, but that was nothing compared to living in a fishbowl. As the ex-husband of a movie star with custody of that movie star’s kids, protection and visibility had risen to a whole new level. Not only were his kids targets for kidnappers and extortionists because of his money, but their mother’s career could put their faces on the front page of every tabloid in the world. He’d had to go to extreme measures to protect them, and even with those measures in place he wasn’t quite sure they were safe.
“You’re thinking about that crappy wife of yours again aren’t you?”
“No.”
Mrs. P. laughed. “Right. You always scowl before a morning of fun with your daughter in the pool.” Satisfied with the temperature of the milk in Henry’s bottle, she took Henry from Mac’s arms. “You know what you need? A good woman to replace the crappy one.”
Mac laughed. “It will be a cold frosty day in hell before I trust another woman.”
Mrs. P. harrumphed as she headed for the door. “Don’t let one bad apple spoil the whole bunch.”
Lacy skipped into the room, dressed in a bright blue one-piece swimsuit. Mac lifted her into his arms. It was very easy for Mrs. P. to spout quaint sayings, quite another for Mac to heed their advice. Pamela had broken Lacy’s heart when she left. Henry would know a mother who only popped in when the spirit moved her. Mac couldn’t risk the hearts of his children a second time.
Ellie debated sliding into one of her Happy Maids uniforms. Nothing said hired help better than a bright yellow ruffled apron and a hairnet. But Mac had suggested she wear jeans and she wasn’t taking any chances. If she had to endure being a full-time maid, then she intended for Cain to get the recommendation into Carmichael Incorporated. The best way to do that would be to follow Mac’s instructions to the letter.
She slowed her car as she wound through the streets of Coral Gables looking for the address scrawled on the back of the business card. Finally finding the property, she turned onto the driveway only to be face-to-face with an iron gate. She rolled down her car window, pressed a button marked “visitors” on a small stand just within reach of her car and watched as a camera zoomed in on her. She expected a voice to come through the little box, asking for identification. Instead, within seconds, the gate opened.
Good grief. How rich was this guy?
Slowly maneuvering up the wide stone driveway that was a beautiful yellow, not brick red or brown or even gray, but beautiful butterscotch yellow, Ellie swiveled her head from side-to-side, taking in the landscaping. Trees stood behind the black iron fence that surrounded the huge front yard, increasing the privacy. Flower gardens filled with red, yellow and orange hibiscus sprang up in no particular order, brightening the green grass with splashes of color. But it was the house that caused her mouth to fall open. Butterscotch yellow stucco, with rich cocoa brown trim and columns that rose to the flat roof overhang, and a sparkling glass front door, the house was unlike anything she’d seen.
She followed the stone driveway around to the side where she found cocoa-brown garage doors and a less auspicious entryway than the front door. She parked her car and got out.
Oppressive heat and humidity buffeted her, making her tank top and jeans feel like a snowmobile suit. The sounds of someone splashing in a pool caught her attention and she walked around back and stopped. Her mouth gaped.
Rows of wide, flat steps made of the same butterscotch-colored stone as in the driveway led from a wall of French doors in the back of the house to an in-ground pool. Shiny butterscotch-colored tiles intermingled with blue and beige tiles, rimming the pool and also creating a walkway that led to a patio of the same stone as the stairs. Behind the patio was a huge gazebo – big enough for a party, not merely a yard decoration – and beyond the grassy backyard was the canal where a bright white yacht was docked.
“Ellie?”
She glanced at the pool again. Mac Carmichael was swimming with a little girl of around six, probably his daughter.
She edged toward them. Trying to sound confident she said, “Hi.”
The little blonde wearing water wings waved shyly.
Mac wiped both hands down his face and headed for the ladder in the shallow water on the far side of the pool. “I’ll be right with you.”
She wanted to say, “Take your time,” or “Don’t get out on my account. I’ll find my way to the kitchen,” but the sight of Mac pulling himself onto the ladder stopped her cold. His dark swimming trunks clung wetly to his firm behind. Water pulled them down, causing them to slip as he climbed the ladder. By the time he got out of the pool his trunks clung precariously to his lean hips. He walked to a beige-and-white-flowered chaise and grabbed a huge towel.
“You got here quickly.”
She stared. With the blue skies of Florida as a backdrop, his eyes turned a color closer to topaz. Water ran in rivulets down the black hair on his chest. His still-dripping swimming trucks hung onto his hips for dear life.
“I…um…” She cleared her throat as attraction rumbled through her. It had been so long that she’d been overwhelmingly attracted to a man that she’d missed the symptoms. But here they were. Sweaty palms. Stuttering heart. Inability to form a coherent sentence.
Now she knew why her intuition wouldn’t let her allow Mac to leave the Happy Maids office. It wasn’t because of Cain. It was because she was attracted to Mac.
Telling herself not to panic, she could handle one little attraction, she smiled. Her intuition might have brought her here for a frivolous reason, but once Ava had told her about Cain wanting an “in” with Mac, she knew she couldn’t back out. Liz had saved her when she desperately needed someone. Now she finally had a chance to repay the favor. This was a mission. “I just had to run home to put on jeans and pack a bag.”
He motioned to the steps. “You go on up. It’s too hot for you to stand out here in this heat in those jeans. As soon as I get Lacy from the pool I’ll be in.”
This time she could say, “No hurry. I’ll be fine,” because she seriously needed a minute alone to compose herself. How did one man get so lucky as to not only be rich and live in a house that took her breath away, but also be so good looking he rivaled the pristine Florida sky?
“Just go up the stairs and turn left, into the kitchen. We’ll be there in a minute.”
She nodded and started up the steps, feeling as if she were walking the stairs to a museum or some other prestigious building rather than someone’s residence. Of course, she wasn’t exactly well versed in what a “normal” home should look like. She’d grown up in foster homes until she was seventeen when she ran away. Then she’d slept on the streets and fought tooth and nail just to find something to eat each day until she met Sam. She’d stayed with him, enduring increasing verbal and emotional abuse until the night the abuse became physical. Then she’d run. A Friend Indeed couldn’t take her in because they were a charity chartered to care for women with children, but Liz had offered her her couch and ultimately a job. After four years with Happy Maids, interacting with Liz and the friends she’d made through A Friend Indeed, she was only now coming to understand what normal relationships were.
So, she could forgive herself for being a tad awestruck by this house. She might clean for Miami’s elite but this guy was in a class by himself, and from the outside, his house absolutely looked like a museum.
Pushing open the second door of the four French doors lining the back wall of the house, she found herself standing between a huge kitchen on the left and a comfy family room on the right. Decorated with an overstuffed brown leather sofa and chairs with shiny cherry wood end tables and a huge flat-screen TV between bookcases that ran along the entire back wall, that part of the open floor plan appeared to be where the family did most of their living.
That she liked.
But only a few steps into the kitchen, she swallowed hard. The stove had eight burners. The refrigerator was actually hidden behind panels of the same cherry wood as the cabinets. Copper pots and pans hung from a rack above the stove. Pale salmon-colored granite countertops accented the rich cabinets. A sink with a tall copper faucet sat in the middle of the center island and another sat in a counter along a far wall. Crystal gleamed behind the glass doors of all the cabinets on the right wall.
She looked around in awe. She’d been in kitchens almost as elaborate as this one. She did, after all, clean for some fairly wealthy people. But men in Mac’s caliber weren’t wealthy. They were beyond wealthy. They didn’t hire weekly cleaning services. They had full-time employees and gourmet kitchens big enough to cook food for parties attended by hundreds of people. As a Happy Maid she only cleaned, didn’t cook for any of her clients.
She glanced around again, her mouth slightly open, fear tightening her chest.
She grabbed the cell phone she had stashed in her jeans pocket and hit a speed dial number.
“Ava, I think I’m gonna need a cook book.”
***
For the rest of the book...look for it on Amazon and B&N, as an ebook!
Monday, August 1, 2011
Friday, July 1, 2011
July 2011
I've run out of BABIES IN THE BOARDROOM Books to talk about in this ezine. Typically, we wouldn't have any more ezines until my next book was out in November. But we're doing so well with the POWER OF QUESTIONS workshop (only 4 more lessons) that I thought we should keep going with ezines. Surely, we can wing it with things to talk about for four issues? This way you will get the rest of the workshop in the next four months.
Okay, so what do we talk about? Well, I started a new duet for Harlequin Romance that will be out next year. I also signed a contract for a Continuity Series that will be out next year. Not sure who all the authors are who signed on for this, but I do know Melissa McClone and Myrna MacKenzie are among them.
Next month, as you will see in Coming Attractions, I'm giving JOURNEY STEPS for NEORWA (http://www.neorwa.com/index.php/Workshops/Workshops). Info is below. If you're one of my writer fans, that's one of my best workshops on plotting.
But I think my most fun venture this year has been to write short stories that accompany the Andreas Brothers Series. I called these Happily Ever Afters because they happen happily after the series ends. Thirty years to be precise.
Why did I go and do something like that? Well, I wanted to show you that the Andreas Brothers' marriages lasted. And 30 years certainly proves that. LOL. But also, I wanted to have the chance to write about the romances of the BABIES from the Babies in the Boardroom.
You know, this is a wonderful time in history to be a writer. With the Internet, and my own website, I can pretty much write what I want to write and post it somewhere. (Laughing again.) But that also means I can let my creativity sort of roam and ramble. I won't get paid for these, unless I decide to put them up on Amazon and B&N and Smashwords. So while they're free on my website they are a gift to my fans.
Also, some fans wanted me to actually write about Darius, Nick and Cade ten years into the future, which might have been fun, but I simply itched to write the stories of the Babies in the Boardroom.
Especially Gino's story. Now, imagine this: You're filthy rich because your dad left you one-sixth of a shipping conglomerate. The rest is owned by your half-brothers. The only problem is your half brothers are thirty years older than you are. And one of them raised you as his son.
From the time he was in diapers, Gino has been groomed to take over the family's shipping empire. Oh, he's had his fun. The kid was raised in the lap of luxury. His "main home" is in one of the wealthiest neighborhoods in the world. He has a half-brother who owns oil companies and a ranch. He has another half brother who lives on the beach in North Carolina. He's been all over the world. Had every kind of fun you can imagine from yachts to gambling. He's got looks and money and will soon have power.
So what would this kid be like at thirty? And who would he marry?
Those questions tickled my fancy enough to write something I wouldn't get paid for! That's curosity!
So to keep with our format, I've posted an excerpt from GINO MEETS HIS MATCH below. You can simply click the link to get to the actual story on my website. Lesson 5 from the POWER OF QUESTIONS is next up in the ezine. The COMING ATTRACTIONS section lists more info about JOURNEY STEPS and PREPPING FOR NANO. There's a Cat Tail. And I decided to go back in time and give you an excerpt from one of my older titles. Still a Harlequin Romance. I don't think my old Silhouette Romance back list has been digitized yet. So we'll stick with the HR's.
So happy July! I hope you have a vacation planned or at least a fun Fourth of July party. Me? I'm slaving away, working on the first book in what I'm calling my MONTGOMERY MOGULS duet. (But my family's having a 3rd of July party, I'm going to an amusement park on the 4th and there may be a beach adventure at the end of the month...good stuff for me!)
Enjoy lesson 5 and GINO MEETS HIS MATCH.
See you in August.
susan
FOR THE WRITERS AMONG US
THE POWER OF QUESTIONS Lesson 5
Lesson 5: The ‘other’ side of questions…Using questions to get you out of trouble.
We’ve gone over core story question and reader question and scene questions that keep your action/reaction/decision train going. So now we’re going to talk about the other side of questions. Using them to make your work better. Your plots sharper, tighter. Your characters’ goals, motivations and conflicts fresh and unique.
But before I say a word, we're going to do an experiment. Right now, everybody get out a piece of paper and a pen and write down twenty reasons a father would NOT go looking for his beloved daughter when she runs away.
You have one minute. Write as many reasons as you can. Stop at twenty or when the time runs out. Go. (I’ll hum the Jeopardy music twice while you write.)
Okay…if you’re reading this that means you are done with the exercise. If you didn’t do it, stop now, give yourself a minute and do it! Seriously, you’ll be glad you did! Take one minute and try to write out twenty answers to that question.
If you did the exercise, I now want you to take the bottom or back of that sheet and write down twenty reasons why a FATHER would NOT GO AFTER his PREGNANT DAUGHTER when she runs away from home.
One minute.
Jeopardy music.
Jeopardy music.
Time.
Okay, sorry, but one more time, somewhere on that sheet write 20 reasons why a KING would NOT go after his PRINCESS DAUGHTER who is PREGANT WITH THE NEXT HEIR TO HIS COUNTRY’S THRONE when she runs away.
One minute. Jeopardy music. Jeopardy music. Time.
Right about now, you should notice you have 3 similar lists, but each list became more specific as the question became more specific.
What we just did is the list of twenty. Decades ago Andrew Carnegie commissioned an "efficiency expert" to spend some time with him. He told the man (Ira something…sorry…most important guy in the story and I can't remember his name…) Anyway, Carnegie told Ira, if at the end of the time they spent together he could give Carnegie 1 idea that revolutionized his life he would pay him a million dollars. (A tidy sum at the time.) Ira said, you're on.
They spent the time together (either a week or a month) and at the end of it, Carnegie said, Well, what's your suggestion to revolutionize my life and Ira said, "Every time you have a problem, rather than coming up with a solution, trying it, possibly failing, spending time to come up with another potential solution and trying again, and potentially failing again, and taking time to think of a third potential solution, trying it and again potentially failing, and again spending time to come up with another solution…Write your problem on the top of a piece of paper and write out twenty potential solutions to the problem. Don't stop. Don't say hey this one is the right one. Don't monitor. Write everything from the ridiculous to the sublime. Keep going until you have twenty. Then….choose the BEST ANSWER and try that one."
Ira didn't merely make this recommendation because he wanted Carnegie to sift through all the possibilities in order to come up with the "right" idea, so he and his team would make fewer mistakes. Ira wanted Carnegie and his people to push themselves beyond one potential solution and even ten potential solutions so that they would release their creative energy and come up with some revolutionary ideas. Things they might not have thought of with the trial and error method. (Because by then frustration would have set in!)
I heard this story on a tape by motivational speaker Brian Tracy (tapes available through Nightengale Conant). Tracy explained that using this system to find solutions to your problems will revolutionize your job not just because you come up with the right idea or even something you might not have thought of; but also because it shows you wonderful things…like how doing the opposite of what you're doing now might be the answer.
But, if you’ve been paying attention, you also have probably noticed that for this system to be really successful, you must come up with a great question.
Remember those three lists we made? Each time we refined the question our answers got a bit more specific.
And that's the real power of the list of 20.
Not only did the very specific question "control" the answers that we got so that we weren’t all over the board; but also the very specific questions got us very specific answers.
The broad and general list-of-20 question is okay when you're working on your synopsis, but you need a more specific question when you have a specific problem you must solve for your story to work.
Let's take another look at the 3 lists you wrote when this lesson started.
In the first list…why wouldn't a dad go after his daughter when she runs away? You probably had reasons like…He didn't know she'd run away. You may have said, she lied and told him she was with a friend for the weekend to give herself a head start.
On the second list…The one that answers the question why doesn’t a dad go after his PREGNANT daughter when she runs away…You may have had answers like: She's an adult. She had a right to "run away" if she wanted. Because the word pregnant changed your perception of who the "runaway" was. You may have said: He didn't go after her because he assumed she was running to the baby's father. (Intimating that the dad believed that was where she belonged.) Which, again, potentially changed something big for the story.
But in the last question when I said, why wouldn't a king go after his daughter who is pregnant with the next heir to the throne… then we not only had a more defined story, we also had a more difficult time coming up with answers.
We had boundaries. Our answers had to fit.
That doesn't seem like fun. Having the sky as the limit is a lot easier. But typically the sky isn't the limit. The more specific the question, the more specific the answer and the more often that answer will work!
I actually did this a few years ago when my editor called and told me my book was going to print, but she’d found a hole in the plot and I had 24 hours to solve it. Oh, and the answer couldn’t be more than one sentence.
Yikes!
After working with two vague questions, I made the question very specific and in 8 tries, I answered my question. Not merely satisfactorily, but with something that was smooth and efficient. Something most readers would read and believe without the blink of an eye!
The gist of the story in PRINCE BABY is that a pregnant princess ran away from her father, the king of a small island county. She ran away to see the man who had gotten her pregnant because she didn't feel it was fair that he didn’t know he was about to be a father. When she gets to the hero’s house, she goes into labor and the hero delivers the baby. But she can’t travel across the Atlantic for a few weeks, so he persuades her to live with him (with the baby) until she’s able to travel. And, of course, they fall in love. (I do write romance! LOL)
When I turned in the completed manuscript, my editor was thrilled with the book, but a few weeks later she made that phone call telling me that she kept stumbling over why the princess’s dad doesn't follow her. I mean, after all, she's pregnant with the country's next heir. He might not be able to stop her from running, but why wouldn't he run after her? Would a king really let his daughter stay in America with the peasant who got her pregnant?
It was a problem! And all I had room for was about 2 sentences of explanation. One sentence would work better … So after two tries with vague questions that didn’t net me any results I did a third list.
With a better question…
Why would a king let his daughter who is pregnant with the heir to his country's throne leave the country AND not go after her for the six weeks she needs to fall in love with the hero?
It’s a cumbersome, weird question I know, but note that it took in lots of background information, in order to get and keep my brain going in the right direction! The question had to take in a lot of information because the answer had to "fit" certain circumstances. Which means that the more "tightly" your answer has to fit, the more specific your question has to be.
So how did my list turn out?
My answers were something like this:
She sneaks out of the country and the king can't find her.
He doesn't know she's gone.
He's afraid if he chases her to the United States the press will discover the future king was conceived out of wedlock and his PR people won't have time to "spin" it. (NOTE: This one is good, but not quite complete. It frustrated me…so I walked away, glanced at the newspaper and saw Bono doing something and voila…number four was born.)
The king can't chase his daughter because he's touring with U-2.
He's at Michael Jackson's trial. (Still reading the paper…)
He's a juror.
He's somewhere that he can't leave.
He's the head of his country…so when parliament is in session, he must be there! And if he leaves mid-session, the press will know something is horribly wrong and they will discover the future king was born out of wedlock and his PR people won't be able to spin it!
Notice how walking away and reading the newspaper really shifted my thoughts, but also notice how shifting my thoughts in another direction ultimately ended up uncovering the key I was missing for my story!
I combined #3 and #8 and came up with something that I could say in one sentence. I didn't even need the two sentences I was allowed…LOL.
But -- just as an aside here. Notice how the power of the ridiculous came to my aid. Walking away and reading the paper jumpstarted my brain, but the ridiculous answer I created was what really got me going in the right direction. Touring with U-2 wouldn't work in a million years. I also couldn't use "The king was at the Michael Jackson trial," but both of those led me to number 7…He's somewhere that he can't leave. And that led me to number 8.
(As another aside…I don't generally stop at 8. If I hadn't been on deadline I would have gone on and I might have come up with a better answer.)
So that's a quick and dirty explanation of the List of 20. Really a remarkable tool. Next month, Lesson 6 goes into a detailed explanation of how to use this tool to help in all aspects of your writing process from synopsis to problem solving. So come back next month!
For your homework? Using your current work in progress, create a question for a problem that’s bedeviling you.
susan
COMING ATTRACTIONS
August
Journey Steps. NEORWA
http://www.neorwa.com/index.php/Workshops/Workshops
Journey Steps, Taking the Train to Somewhere Ever wonder what you’re supposed to “put” in between those four or five turning points of your story? Susan Meier’s Journey Steps, Taking the Train to Somewhere provides quick, easy solutions for any author who has ever wondered “now what?” Topics include the “magic formula” for plotting, the list of five, explanation of plot threads versus subplot and tricks for writing an “edge-of-the-seat” read. Learn to tell your story in one straight-forward paragraph that can be used for pitches! Beginners, intermediate and experienced authors will benefit from this workshop.
Coming in October PREPARING FOR NANO at Pennwriters.com
COURSE DESCRIPTION:
Everybody believes NaNoWriMo (National Novel Writing Month, which runs every November at www.nanowrimo.org) is a race against the clock, a fight with procrastination and inertia. In some ways it is. But once you’re in the thick of things, you’ll discover NaNo is really all about ideas. Writers don’t stall because they’re lazy. Writers stall because they don’t know what to write next.
The month BEFORE NaNo, get proven tips from Susan Meier—the author of almost 50 books for Harlequin and Silhouette—and let her take you through several different ways to examine the story you want to write, to capture the natural scene possibilities within your idea, to generate new ideas, and to push yourself through the most grueling, but fun, month you will spend this year! Lessons include:
* The List of 20 (How to generate ideas quickly so you have little downtime when your natural ideas run out)
* Turning a “Want” into “Need” (How does knowing why you’re writing this book provide you with both energy to write and ideas for your story?)
* The One-Paragraph Story Summary (Say it succinctly…3 kinds of one-paragraph story summaries: back cover blurb, core story question, and growth paragraph)
* Could, Might, Must and Should List (How to capture ideas that spring up naturally)
* Storyboard Versus Synopsis (Breaking your idea down into manageable bites)
* The Psychology of Pushing through the Hard Times (What to do when you get stuck)
* The Psychology of a Draft (Push, push, push!)
* What Are You Doing in December? (Editing tips)
TESTIMONIALS:
“I was bowled over by how helpful it was. Susan was ever patient and ready to offer feedback and encouragement. The course material was broken down so that it was easy to understand but it pushed me to dig deeper and really understand my story. I would not hesitate to recommend this course in the future or any course with Susan Meier.”
- SGM
Fantasy writer
“Susan Meier generously shares her knowledge and shapes it to fit your needs. She is enthusiastic and encouraging. This course helped me to fill in the gaps, taking my plot from mundane to magnificent! Thanks, Susan!”
- JBS
Cat Tails
So what are Sophia and Fluffy up to this summer?
Interestly, my daughter Sarah moved into her own apartment this year! Yay! (I think she was getting sick of us.) Because her roomie already has two cats, she left Fluffy behind. This was fine with us, but we worried about Fat Fluff because he adores Sarah. But surprisingly he hasn't been half bad. In fact, without Sarah around he's amazingly social. Every night we now have what my DH and I like to refer to as the Every Night Fight. Fluffy comes downstairs, swats Sophie across the head and the fight is on.
I read somewhere that cats see fighting with their companions as exercise. Well, Fat Fluff may not be Fat Fluff much longer if this keeps up! LOL
GINO MEETS HIS MATCH
When Gino Andreas entered the executive offices for Andreas Holdings, a hush fell over the gleaming corridors.
In her office at the end of the hall, Bethany Johnson watched the men he passed all but scrape and bow. Gino was thirty now, about to take his seat on the board of directors with his three half brothers, Darius, Nick and Cade. Everyone anticipated that within five years, the older Andreas brothers would retire early and enjoy their golden years on the French Rivera with their adoring wives.
And Gino would rule.
The women of Andreas Holdings weren’t quite so pragmatic. Even those climbing the corporate ladder, hoping to serve as presidents or vice presidents, had privately admitted to Bethany that their breath stuttered a bit when Gino walked by. Tall and slender like his oldest half-brother Darius, with Nick’s sense of fun and Cade’s shrewd dark eyes, Gino wasn’t just sex appeal in a suit. He was smart and funny. There wasn’t one unattached female in Andreas Holdings who wouldn’t give her next Christmas bonus for the opportunity to find out what he’d be like in bed.
Except Bethany.
Not because she didn’t think Gino was hot. For Pete’s sake, the guy exuded sex appeal. Add a little money and power to that, and some days she honestly thought she would drool. The thing of it was Bethany was broke. No one had told her living in New York City would be so expensive or that roommates could bolt the first time they fell in love and decided it was time to live with their fiancés. She had bigger, more important things on her mind than somebody’s hotness.
“Good morning, Ms. Johnson.”
Deep and sexy, Gino’s voice drifted to her and Bethany’s lungs shivered. If he could patent that voice, he’d be even richer than he already was.
“Good morning, Mr. Andreas.”
“Anything I need to know?”
“Just that your brothers are waiting for you in the conference room.”
Halfway to his office, he stopped, turned. “Are you kidding me?”
“Nope. They called an emergency meeting of the board an hour ago.”
Hands on his hips, he glanced skyward as if seeking help from above. “There is no emergency. They just want me to be late for my first board meeting so they can harass me.”
She laughed. “Probably Nick’s idea.”
“Undoubtedly.”
Their easy camaraderie warmed her heart. She was only a floater – someone who filled in wherever administrative assistance was needed. Gino’s real personal secretary made oodles of cash. But when they’d offered her the job of standing in for Roberta while she took maternity leave, Bethany had seen it as a good sign that one of “the” Andreas brothers liked her. Her goal was to do such a good job for Gino that he would give her a good recommendation, so she’d be moved into one of the permanent assistant positions and actually be able to make her rent.
She just had to keep her lease for the next six months.
***
Gino left Bethany’s office and headed toward the big boardroom just off Darius’s executive suite. Though he knew he should probably be wondering what the hell his brothers would spring on him, he found himself shaking his head over Bethany’s hair.
A ponytail. In an office. It made him laugh.
Actually, it made him comfortable. Roberta, a tall gorgeous redhead whose husband would kill anybody who took more than a three-second glance at her, had been coolly efficient. He’d never had to worry about missing a meeting – even a trumped up meeting his brothers had decided to have for sport – because with her layers and layers of friends within the corporate maze that was Andreas Holdings, Roberta would have heard about it.
But Roberta didn’t make him laugh. She most certainly didn’t make him comfortable. And the truth was he was smarter and more efficient when he was comfortable.
So in some ways he was glad Roberta was off for the first six months he would serve on the board. He didn’t need somebody to prop him up, to help him, to make him look smarter. He was smart enough. He needed someone who helped him relax.
Whatever he had to do over the next six months to keep Bethany Johnson right where she was, he intended to do it.
“So you finally made it.”
Walking into the boardroom, Gino glanced at his three older brothers. Though the Andreas men had different mothers, they shared dark hair and dark eyes. Darius, the brother he called Dad because he and his wife Whitney had adopted him, was the tallest. Nick with unruly curly hair was the handsomest. Cade the shrewdest. It showed in the way his nearly black eyes narrowed every time he came against something he didn’t like.
Nick guided Gino to the chair at the foot of the table. “Thirty years. You’re the only brother who had to wait to get his seat on the board.”
“Yeah, because you guys changed the rules.”
Darius laughed. “After our father’s will gave you – as an infant – an equal share in the company, which came with a seat on the board, we recognized the flaw in not having guidelines for directors.” He pulled out Gino’s chair. “So we wrote some. That’s the fun of being boss. Find something you don’t like, you change it.”
More or less forced into his seat, Gino sat.
Cade strode over. Dressed in a suit and tie, he looked like the billionaire he was, but he didn’t really look like himself. A rancher first and foremost, he typically dressed in jeans and T-shirts. “And don’t think because you’re on the board, we’re going to listen to hair-brained schemes. You’re the newbee. You watch and learn.”
“I’ve been watching and learning for thirty years.”
All three laughed. Taking his seat at the head of the table, Darius said, “You haven’t seen anything of life yet.”
And that was the problem. He’d been raised in the lap of luxury, as Darius’s son, because their father and Gino’s mom had been killed in an accident. He’d never really encountered a problem, didn’t know what it was like to be hungry or cold. Didn’t know a damned thing about struggle.
Darius hit the gavel and brought the room to order, which basically meant Nick and Cade took their seats.
But a board meeting, even for a multi-billion-dollar conglomerate, turned out to be a very dry discussion of business. Not that he didn’t care. He did. One day the responsibility for Andrea Holdings, a huge, multi-national enterprise would be his.
But could he take the reins of a multi-national conglomerate without really understanding the things that most normal people knew? Cade, Nick and Darius hadn’t grown up wealthy. Though Stephone Andreas had acknowledged Darius, he’d basically been raised by a struggling single mom, as Nick and Cade had been. The things they’d learned through their struggles growing up gave them insights into life and people that Gino didn’t have. He didn’t know about the blood, sweat, tears and trouble that had gone into making Andreas Holdings great. He simply knew great. And he also knew that wouldn’t serve him well as a leader.
***
When Bethany arrived home, there was an eviction notice in her mail slot. She leaned against the row of post office boxes and slid down to the floor. She was a few days late! A few days! Surely the building manager couldn’t evict her yet.
But when she took her notice to his office in the basement, he grinned at her around his cigar.
“Yeah, I can evict you.” He took the cigar out of his mouth and blew smoke at her. “We’re not exactly the classiest building in the city and our renters aren’t the cream of the crop, so our lease is a little different than most. You should have read the fine print. If you’re as much as two days late I can start the process.”
“I’ll have the rent money on Friday.”
“Yeah, sure, babe. I get that. But without a roommate you’re going to have trouble every month until pretty soon you’ll be weeks behind and soon after that months.” He guided her to the door. “Only way I take this off the books is if you come to me with a new roommate and prove you can pay your rent.”
Suddenly she was in the hall and his door was slamming behind her.
She straightened her shoulders. Okay. Fine. He wanted her to have a roommate. She’d find a roommate.
Click the link below to read the rest of the story...I think Michael and Lucy pop up first...so scroll down to Gino Meets His Match.
http://susanmeier-happilyeverafter.blogspot.com/
And now...a blast from the past! A little bit from MAID IN MONTANA
Jeb Worthington watched the aging sport utility vehicle chug up the tree-lined road leading to his ranch. He pulled on his horse's reins, stopping Jezebel, and reached for his small binoculars.
Yep. Just as he suspected. His new housekeeper, Sophie Penazzi, had arrived.
Adjusting the glasses, he watched her get out of the car, taking in her straight, shoulder-length brown hair that, if he remembered correctly, was a color almost identical to the dark brown of her eyes.
She stretched, working the kinds of out her back and shoulders from the long drive. The smooth, even tan of her skin brought visions of her in a bikini, rushing into the crashing waves of the Pacific, surfboard under her arm. It didn't surprise him that he'd envision her that way. Not only did her resume list her home as Malibu, but also there was a part of him that would pay very good money to see her perfect bottom in a bikini.
He dropped the glasses to his thigh. Those were exactly the kinds of things he could not -- would not -- think about about his new housekeeper. He'd lost the last one because she'd made a pass at him and he'd fired her. But instead of admitting she'd been let go because she'd tried to use her position as a springboard to becoming mistress of the house, Maria had promptly gone into town and trashed his reputation, claiming she'd quit because he was a grouch, too difficult to work for. The only way he'd recoup his standing with the locals would be to be nice to this new housekeeper, proving Maria had lied.
But being nice came with trouble of its own. Or maybe better said: Being nice to a live-in employee came with rules of its own. A line had to be drawn. He didn't want to be accused of sexual harrassment or even flirting. And he wouldn't. He would find a middle ground.
He nudged Jezebel, urging her to increase her pace.
Sophie bent into the rear compartment of her SUV. After setting several suitcases on the ground behind her vehicle, she lifted out an odd looking thing covered in net, at least four feet long and flat as a pancake. From the brackets on the side, he suspected that whatever it was, it was folded up. God only knew what it became when she unfolded it.
Once again, he nudged Jezebel, this time increasing her walk to a trot.
Adjusting the glasses so he could watch her as he rode, he saw Sophie slam the rear hatch, open the back door and bend inside.
There was more?
She pulled out a small seat and what looked to be a cooler and Jeb took Jezebel to a full gallop. What the hell was this woman doing? Planning to take over a wing in his house? Sure, she had to live with him, but he remembered telling her that her quarters were a bedroom, sitting room and bathroom. She didn't get to spread out all over his home.
He galloped past the outbuildings and barn, slowing Jezebel when they neared the driveway and taking her down to a walk when the reached the pavement.
Obviously hearing the clip-clop of Jez's approach, Sophie turned around. Shading her eyes with her hand, she looked up at him and called, "Hey! Good morning!"
Her bright brown eyes shone with joy, accenting her pert little nose, wide smile and nicely defined chin. Her should have kept his eyes on her face, but the blue top clinging to her breasts and the jeans outlining her perfect bottom drew his gaze downward until he'd taken in every feminine inch of her.
Irritated with himself, he nearly cursed. Why had he hired someone so cute?
A glance at her mountain of gear only increased his ire. Obviously she was all wrong for this job. He reined Jez a few feet ahead of the car, and growled, "What are you--"
Too late. Sophie ducked into her back seat again and he stopped talking. Not only was she providing him with a jaw-dropping view of her backside, but also there was little sense talking when his conversation partner couldn't hear him.
He waited patiently, ready to ask her just how much junk she thought she could get into a small suite of rooms, but when she pulled out of the back seat, baby in her arms, the words he'd intended to say fell out of his head. He was -- for the first time ever -- speechless.
She smiled at him. "I'm sorry. What did you say?"
He stared at her. Then the baby. The kid was small but chubby. Healthy. With pink cheeks and a thatch of thick black hair that poked out in all directions.
The only thing that came out of his mouth was, "What are you doing?"
She frowned. "You said to move in. Today. So I can start working tomorrow. Did I misread your instructions?"
"Apparently! Since I don't remember telling you to bring a baby!"
"Oh!" She laughed. "This is my son, Brady." She kissed the little boy's cheek. "Say hello, Brady."
The baby cooed and gooed and Jeb's heart stuttered in his chest. Willing back the swell of emotions that threatened to overtake him, he simply said, "You can't have a baby here."
Sophie kissed the baby's cheek again. "Why not? The agency said it wasn't a problem."
"The employment agency told you that you could bring him?"
"Yes, when they explained that this job was for a live-in housekeeper, I told them about Brady and they said it was no problem for me to bring him."
"I gave them the exact opposite instructions! I said no kids." Somebody's head was going to roll.
That's the beginning of MAID IN MONTANA...if you likie...go to Amazon.com or Barnes and Noble.com and get one of the older copies...or maybe digital if you have a Kindle.
That's all for this month! See you in August for Lesson 6 and another Andreas tie in.
Okay, so what do we talk about? Well, I started a new duet for Harlequin Romance that will be out next year. I also signed a contract for a Continuity Series that will be out next year. Not sure who all the authors are who signed on for this, but I do know Melissa McClone and Myrna MacKenzie are among them.
Next month, as you will see in Coming Attractions, I'm giving JOURNEY STEPS for NEORWA (http://www.neorwa.com/index.php/Workshops/Workshops). Info is below. If you're one of my writer fans, that's one of my best workshops on plotting.
But I think my most fun venture this year has been to write short stories that accompany the Andreas Brothers Series. I called these Happily Ever Afters because they happen happily after the series ends. Thirty years to be precise.
Why did I go and do something like that? Well, I wanted to show you that the Andreas Brothers' marriages lasted. And 30 years certainly proves that. LOL. But also, I wanted to have the chance to write about the romances of the BABIES from the Babies in the Boardroom.
You know, this is a wonderful time in history to be a writer. With the Internet, and my own website, I can pretty much write what I want to write and post it somewhere. (Laughing again.) But that also means I can let my creativity sort of roam and ramble. I won't get paid for these, unless I decide to put them up on Amazon and B&N and Smashwords. So while they're free on my website they are a gift to my fans.
Also, some fans wanted me to actually write about Darius, Nick and Cade ten years into the future, which might have been fun, but I simply itched to write the stories of the Babies in the Boardroom.
Especially Gino's story. Now, imagine this: You're filthy rich because your dad left you one-sixth of a shipping conglomerate. The rest is owned by your half-brothers. The only problem is your half brothers are thirty years older than you are. And one of them raised you as his son.
From the time he was in diapers, Gino has been groomed to take over the family's shipping empire. Oh, he's had his fun. The kid was raised in the lap of luxury. His "main home" is in one of the wealthiest neighborhoods in the world. He has a half-brother who owns oil companies and a ranch. He has another half brother who lives on the beach in North Carolina. He's been all over the world. Had every kind of fun you can imagine from yachts to gambling. He's got looks and money and will soon have power.
So what would this kid be like at thirty? And who would he marry?
Those questions tickled my fancy enough to write something I wouldn't get paid for! That's curosity!
So to keep with our format, I've posted an excerpt from GINO MEETS HIS MATCH below. You can simply click the link to get to the actual story on my website. Lesson 5 from the POWER OF QUESTIONS is next up in the ezine. The COMING ATTRACTIONS section lists more info about JOURNEY STEPS and PREPPING FOR NANO. There's a Cat Tail. And I decided to go back in time and give you an excerpt from one of my older titles. Still a Harlequin Romance. I don't think my old Silhouette Romance back list has been digitized yet. So we'll stick with the HR's.
So happy July! I hope you have a vacation planned or at least a fun Fourth of July party. Me? I'm slaving away, working on the first book in what I'm calling my MONTGOMERY MOGULS duet. (But my family's having a 3rd of July party, I'm going to an amusement park on the 4th and there may be a beach adventure at the end of the month...good stuff for me!)
Enjoy lesson 5 and GINO MEETS HIS MATCH.
See you in August.
susan
FOR THE WRITERS AMONG US
THE POWER OF QUESTIONS Lesson 5
Lesson 5: The ‘other’ side of questions…Using questions to get you out of trouble.
We’ve gone over core story question and reader question and scene questions that keep your action/reaction/decision train going. So now we’re going to talk about the other side of questions. Using them to make your work better. Your plots sharper, tighter. Your characters’ goals, motivations and conflicts fresh and unique.
But before I say a word, we're going to do an experiment. Right now, everybody get out a piece of paper and a pen and write down twenty reasons a father would NOT go looking for his beloved daughter when she runs away.
You have one minute. Write as many reasons as you can. Stop at twenty or when the time runs out. Go. (I’ll hum the Jeopardy music twice while you write.)
Okay…if you’re reading this that means you are done with the exercise. If you didn’t do it, stop now, give yourself a minute and do it! Seriously, you’ll be glad you did! Take one minute and try to write out twenty answers to that question.
If you did the exercise, I now want you to take the bottom or back of that sheet and write down twenty reasons why a FATHER would NOT GO AFTER his PREGNANT DAUGHTER when she runs away from home.
One minute.
Jeopardy music.
Jeopardy music.
Time.
Okay, sorry, but one more time, somewhere on that sheet write 20 reasons why a KING would NOT go after his PRINCESS DAUGHTER who is PREGANT WITH THE NEXT HEIR TO HIS COUNTRY’S THRONE when she runs away.
One minute. Jeopardy music. Jeopardy music. Time.
Right about now, you should notice you have 3 similar lists, but each list became more specific as the question became more specific.
What we just did is the list of twenty. Decades ago Andrew Carnegie commissioned an "efficiency expert" to spend some time with him. He told the man (Ira something…sorry…most important guy in the story and I can't remember his name…) Anyway, Carnegie told Ira, if at the end of the time they spent together he could give Carnegie 1 idea that revolutionized his life he would pay him a million dollars. (A tidy sum at the time.) Ira said, you're on.
They spent the time together (either a week or a month) and at the end of it, Carnegie said, Well, what's your suggestion to revolutionize my life and Ira said, "Every time you have a problem, rather than coming up with a solution, trying it, possibly failing, spending time to come up with another potential solution and trying again, and potentially failing again, and taking time to think of a third potential solution, trying it and again potentially failing, and again spending time to come up with another solution…Write your problem on the top of a piece of paper and write out twenty potential solutions to the problem. Don't stop. Don't say hey this one is the right one. Don't monitor. Write everything from the ridiculous to the sublime. Keep going until you have twenty. Then….choose the BEST ANSWER and try that one."
Ira didn't merely make this recommendation because he wanted Carnegie to sift through all the possibilities in order to come up with the "right" idea, so he and his team would make fewer mistakes. Ira wanted Carnegie and his people to push themselves beyond one potential solution and even ten potential solutions so that they would release their creative energy and come up with some revolutionary ideas. Things they might not have thought of with the trial and error method. (Because by then frustration would have set in!)
I heard this story on a tape by motivational speaker Brian Tracy (tapes available through Nightengale Conant). Tracy explained that using this system to find solutions to your problems will revolutionize your job not just because you come up with the right idea or even something you might not have thought of; but also because it shows you wonderful things…like how doing the opposite of what you're doing now might be the answer.
But, if you’ve been paying attention, you also have probably noticed that for this system to be really successful, you must come up with a great question.
Remember those three lists we made? Each time we refined the question our answers got a bit more specific.
And that's the real power of the list of 20.
Not only did the very specific question "control" the answers that we got so that we weren’t all over the board; but also the very specific questions got us very specific answers.
The broad and general list-of-20 question is okay when you're working on your synopsis, but you need a more specific question when you have a specific problem you must solve for your story to work.
Let's take another look at the 3 lists you wrote when this lesson started.
In the first list…why wouldn't a dad go after his daughter when she runs away? You probably had reasons like…He didn't know she'd run away. You may have said, she lied and told him she was with a friend for the weekend to give herself a head start.
On the second list…The one that answers the question why doesn’t a dad go after his PREGNANT daughter when she runs away…You may have had answers like: She's an adult. She had a right to "run away" if she wanted. Because the word pregnant changed your perception of who the "runaway" was. You may have said: He didn't go after her because he assumed she was running to the baby's father. (Intimating that the dad believed that was where she belonged.) Which, again, potentially changed something big for the story.
But in the last question when I said, why wouldn't a king go after his daughter who is pregnant with the next heir to the throne… then we not only had a more defined story, we also had a more difficult time coming up with answers.
We had boundaries. Our answers had to fit.
That doesn't seem like fun. Having the sky as the limit is a lot easier. But typically the sky isn't the limit. The more specific the question, the more specific the answer and the more often that answer will work!
I actually did this a few years ago when my editor called and told me my book was going to print, but she’d found a hole in the plot and I had 24 hours to solve it. Oh, and the answer couldn’t be more than one sentence.
Yikes!
After working with two vague questions, I made the question very specific and in 8 tries, I answered my question. Not merely satisfactorily, but with something that was smooth and efficient. Something most readers would read and believe without the blink of an eye!
The gist of the story in PRINCE BABY is that a pregnant princess ran away from her father, the king of a small island county. She ran away to see the man who had gotten her pregnant because she didn't feel it was fair that he didn’t know he was about to be a father. When she gets to the hero’s house, she goes into labor and the hero delivers the baby. But she can’t travel across the Atlantic for a few weeks, so he persuades her to live with him (with the baby) until she’s able to travel. And, of course, they fall in love. (I do write romance! LOL)
When I turned in the completed manuscript, my editor was thrilled with the book, but a few weeks later she made that phone call telling me that she kept stumbling over why the princess’s dad doesn't follow her. I mean, after all, she's pregnant with the country's next heir. He might not be able to stop her from running, but why wouldn't he run after her? Would a king really let his daughter stay in America with the peasant who got her pregnant?
It was a problem! And all I had room for was about 2 sentences of explanation. One sentence would work better … So after two tries with vague questions that didn’t net me any results I did a third list.
With a better question…
Why would a king let his daughter who is pregnant with the heir to his country's throne leave the country AND not go after her for the six weeks she needs to fall in love with the hero?
It’s a cumbersome, weird question I know, but note that it took in lots of background information, in order to get and keep my brain going in the right direction! The question had to take in a lot of information because the answer had to "fit" certain circumstances. Which means that the more "tightly" your answer has to fit, the more specific your question has to be.
So how did my list turn out?
My answers were something like this:
She sneaks out of the country and the king can't find her.
He doesn't know she's gone.
He's afraid if he chases her to the United States the press will discover the future king was conceived out of wedlock and his PR people won't have time to "spin" it. (NOTE: This one is good, but not quite complete. It frustrated me…so I walked away, glanced at the newspaper and saw Bono doing something and voila…number four was born.)
The king can't chase his daughter because he's touring with U-2.
He's at Michael Jackson's trial. (Still reading the paper…)
He's a juror.
He's somewhere that he can't leave.
He's the head of his country…so when parliament is in session, he must be there! And if he leaves mid-session, the press will know something is horribly wrong and they will discover the future king was born out of wedlock and his PR people won't be able to spin it!
Notice how walking away and reading the newspaper really shifted my thoughts, but also notice how shifting my thoughts in another direction ultimately ended up uncovering the key I was missing for my story!
I combined #3 and #8 and came up with something that I could say in one sentence. I didn't even need the two sentences I was allowed…LOL.
But -- just as an aside here. Notice how the power of the ridiculous came to my aid. Walking away and reading the paper jumpstarted my brain, but the ridiculous answer I created was what really got me going in the right direction. Touring with U-2 wouldn't work in a million years. I also couldn't use "The king was at the Michael Jackson trial," but both of those led me to number 7…He's somewhere that he can't leave. And that led me to number 8.
(As another aside…I don't generally stop at 8. If I hadn't been on deadline I would have gone on and I might have come up with a better answer.)
So that's a quick and dirty explanation of the List of 20. Really a remarkable tool. Next month, Lesson 6 goes into a detailed explanation of how to use this tool to help in all aspects of your writing process from synopsis to problem solving. So come back next month!
For your homework? Using your current work in progress, create a question for a problem that’s bedeviling you.
susan
COMING ATTRACTIONS
August
Journey Steps. NEORWA
http://www.neorwa.com/index.php/Workshops/Workshops
Journey Steps, Taking the Train to Somewhere Ever wonder what you’re supposed to “put” in between those four or five turning points of your story? Susan Meier’s Journey Steps, Taking the Train to Somewhere provides quick, easy solutions for any author who has ever wondered “now what?” Topics include the “magic formula” for plotting, the list of five, explanation of plot threads versus subplot and tricks for writing an “edge-of-the-seat” read. Learn to tell your story in one straight-forward paragraph that can be used for pitches! Beginners, intermediate and experienced authors will benefit from this workshop.
Coming in October PREPARING FOR NANO at Pennwriters.com
COURSE DESCRIPTION:
Everybody believes NaNoWriMo (National Novel Writing Month, which runs every November at www.nanowrimo.org) is a race against the clock, a fight with procrastination and inertia. In some ways it is. But once you’re in the thick of things, you’ll discover NaNo is really all about ideas. Writers don’t stall because they’re lazy. Writers stall because they don’t know what to write next.
The month BEFORE NaNo, get proven tips from Susan Meier—the author of almost 50 books for Harlequin and Silhouette—and let her take you through several different ways to examine the story you want to write, to capture the natural scene possibilities within your idea, to generate new ideas, and to push yourself through the most grueling, but fun, month you will spend this year! Lessons include:
* The List of 20 (How to generate ideas quickly so you have little downtime when your natural ideas run out)
* Turning a “Want” into “Need” (How does knowing why you’re writing this book provide you with both energy to write and ideas for your story?)
* The One-Paragraph Story Summary (Say it succinctly…3 kinds of one-paragraph story summaries: back cover blurb, core story question, and growth paragraph)
* Could, Might, Must and Should List (How to capture ideas that spring up naturally)
* Storyboard Versus Synopsis (Breaking your idea down into manageable bites)
* The Psychology of Pushing through the Hard Times (What to do when you get stuck)
* The Psychology of a Draft (Push, push, push!)
* What Are You Doing in December? (Editing tips)
TESTIMONIALS:
“I was bowled over by how helpful it was. Susan was ever patient and ready to offer feedback and encouragement. The course material was broken down so that it was easy to understand but it pushed me to dig deeper and really understand my story. I would not hesitate to recommend this course in the future or any course with Susan Meier.”
- SGM
Fantasy writer
“Susan Meier generously shares her knowledge and shapes it to fit your needs. She is enthusiastic and encouraging. This course helped me to fill in the gaps, taking my plot from mundane to magnificent! Thanks, Susan!”
- JBS
Cat Tails
So what are Sophia and Fluffy up to this summer?
Interestly, my daughter Sarah moved into her own apartment this year! Yay! (I think she was getting sick of us.) Because her roomie already has two cats, she left Fluffy behind. This was fine with us, but we worried about Fat Fluff because he adores Sarah. But surprisingly he hasn't been half bad. In fact, without Sarah around he's amazingly social. Every night we now have what my DH and I like to refer to as the Every Night Fight. Fluffy comes downstairs, swats Sophie across the head and the fight is on.
I read somewhere that cats see fighting with their companions as exercise. Well, Fat Fluff may not be Fat Fluff much longer if this keeps up! LOL
GINO MEETS HIS MATCH
When Gino Andreas entered the executive offices for Andreas Holdings, a hush fell over the gleaming corridors.
In her office at the end of the hall, Bethany Johnson watched the men he passed all but scrape and bow. Gino was thirty now, about to take his seat on the board of directors with his three half brothers, Darius, Nick and Cade. Everyone anticipated that within five years, the older Andreas brothers would retire early and enjoy their golden years on the French Rivera with their adoring wives.
And Gino would rule.
The women of Andreas Holdings weren’t quite so pragmatic. Even those climbing the corporate ladder, hoping to serve as presidents or vice presidents, had privately admitted to Bethany that their breath stuttered a bit when Gino walked by. Tall and slender like his oldest half-brother Darius, with Nick’s sense of fun and Cade’s shrewd dark eyes, Gino wasn’t just sex appeal in a suit. He was smart and funny. There wasn’t one unattached female in Andreas Holdings who wouldn’t give her next Christmas bonus for the opportunity to find out what he’d be like in bed.
Except Bethany.
Not because she didn’t think Gino was hot. For Pete’s sake, the guy exuded sex appeal. Add a little money and power to that, and some days she honestly thought she would drool. The thing of it was Bethany was broke. No one had told her living in New York City would be so expensive or that roommates could bolt the first time they fell in love and decided it was time to live with their fiancés. She had bigger, more important things on her mind than somebody’s hotness.
“Good morning, Ms. Johnson.”
Deep and sexy, Gino’s voice drifted to her and Bethany’s lungs shivered. If he could patent that voice, he’d be even richer than he already was.
“Good morning, Mr. Andreas.”
“Anything I need to know?”
“Just that your brothers are waiting for you in the conference room.”
Halfway to his office, he stopped, turned. “Are you kidding me?”
“Nope. They called an emergency meeting of the board an hour ago.”
Hands on his hips, he glanced skyward as if seeking help from above. “There is no emergency. They just want me to be late for my first board meeting so they can harass me.”
She laughed. “Probably Nick’s idea.”
“Undoubtedly.”
Their easy camaraderie warmed her heart. She was only a floater – someone who filled in wherever administrative assistance was needed. Gino’s real personal secretary made oodles of cash. But when they’d offered her the job of standing in for Roberta while she took maternity leave, Bethany had seen it as a good sign that one of “the” Andreas brothers liked her. Her goal was to do such a good job for Gino that he would give her a good recommendation, so she’d be moved into one of the permanent assistant positions and actually be able to make her rent.
She just had to keep her lease for the next six months.
***
Gino left Bethany’s office and headed toward the big boardroom just off Darius’s executive suite. Though he knew he should probably be wondering what the hell his brothers would spring on him, he found himself shaking his head over Bethany’s hair.
A ponytail. In an office. It made him laugh.
Actually, it made him comfortable. Roberta, a tall gorgeous redhead whose husband would kill anybody who took more than a three-second glance at her, had been coolly efficient. He’d never had to worry about missing a meeting – even a trumped up meeting his brothers had decided to have for sport – because with her layers and layers of friends within the corporate maze that was Andreas Holdings, Roberta would have heard about it.
But Roberta didn’t make him laugh. She most certainly didn’t make him comfortable. And the truth was he was smarter and more efficient when he was comfortable.
So in some ways he was glad Roberta was off for the first six months he would serve on the board. He didn’t need somebody to prop him up, to help him, to make him look smarter. He was smart enough. He needed someone who helped him relax.
Whatever he had to do over the next six months to keep Bethany Johnson right where she was, he intended to do it.
“So you finally made it.”
Walking into the boardroom, Gino glanced at his three older brothers. Though the Andreas men had different mothers, they shared dark hair and dark eyes. Darius, the brother he called Dad because he and his wife Whitney had adopted him, was the tallest. Nick with unruly curly hair was the handsomest. Cade the shrewdest. It showed in the way his nearly black eyes narrowed every time he came against something he didn’t like.
Nick guided Gino to the chair at the foot of the table. “Thirty years. You’re the only brother who had to wait to get his seat on the board.”
“Yeah, because you guys changed the rules.”
Darius laughed. “After our father’s will gave you – as an infant – an equal share in the company, which came with a seat on the board, we recognized the flaw in not having guidelines for directors.” He pulled out Gino’s chair. “So we wrote some. That’s the fun of being boss. Find something you don’t like, you change it.”
More or less forced into his seat, Gino sat.
Cade strode over. Dressed in a suit and tie, he looked like the billionaire he was, but he didn’t really look like himself. A rancher first and foremost, he typically dressed in jeans and T-shirts. “And don’t think because you’re on the board, we’re going to listen to hair-brained schemes. You’re the newbee. You watch and learn.”
“I’ve been watching and learning for thirty years.”
All three laughed. Taking his seat at the head of the table, Darius said, “You haven’t seen anything of life yet.”
And that was the problem. He’d been raised in the lap of luxury, as Darius’s son, because their father and Gino’s mom had been killed in an accident. He’d never really encountered a problem, didn’t know what it was like to be hungry or cold. Didn’t know a damned thing about struggle.
Darius hit the gavel and brought the room to order, which basically meant Nick and Cade took their seats.
But a board meeting, even for a multi-billion-dollar conglomerate, turned out to be a very dry discussion of business. Not that he didn’t care. He did. One day the responsibility for Andrea Holdings, a huge, multi-national enterprise would be his.
But could he take the reins of a multi-national conglomerate without really understanding the things that most normal people knew? Cade, Nick and Darius hadn’t grown up wealthy. Though Stephone Andreas had acknowledged Darius, he’d basically been raised by a struggling single mom, as Nick and Cade had been. The things they’d learned through their struggles growing up gave them insights into life and people that Gino didn’t have. He didn’t know about the blood, sweat, tears and trouble that had gone into making Andreas Holdings great. He simply knew great. And he also knew that wouldn’t serve him well as a leader.
***
When Bethany arrived home, there was an eviction notice in her mail slot. She leaned against the row of post office boxes and slid down to the floor. She was a few days late! A few days! Surely the building manager couldn’t evict her yet.
But when she took her notice to his office in the basement, he grinned at her around his cigar.
“Yeah, I can evict you.” He took the cigar out of his mouth and blew smoke at her. “We’re not exactly the classiest building in the city and our renters aren’t the cream of the crop, so our lease is a little different than most. You should have read the fine print. If you’re as much as two days late I can start the process.”
“I’ll have the rent money on Friday.”
“Yeah, sure, babe. I get that. But without a roommate you’re going to have trouble every month until pretty soon you’ll be weeks behind and soon after that months.” He guided her to the door. “Only way I take this off the books is if you come to me with a new roommate and prove you can pay your rent.”
Suddenly she was in the hall and his door was slamming behind her.
She straightened her shoulders. Okay. Fine. He wanted her to have a roommate. She’d find a roommate.
Click the link below to read the rest of the story...I think Michael and Lucy pop up first...so scroll down to Gino Meets His Match.
http://susanmeier-happilyeverafter.blogspot.com/
And now...a blast from the past! A little bit from MAID IN MONTANA
Jeb Worthington watched the aging sport utility vehicle chug up the tree-lined road leading to his ranch. He pulled on his horse's reins, stopping Jezebel, and reached for his small binoculars.
Yep. Just as he suspected. His new housekeeper, Sophie Penazzi, had arrived.
Adjusting the glasses, he watched her get out of the car, taking in her straight, shoulder-length brown hair that, if he remembered correctly, was a color almost identical to the dark brown of her eyes.
She stretched, working the kinds of out her back and shoulders from the long drive. The smooth, even tan of her skin brought visions of her in a bikini, rushing into the crashing waves of the Pacific, surfboard under her arm. It didn't surprise him that he'd envision her that way. Not only did her resume list her home as Malibu, but also there was a part of him that would pay very good money to see her perfect bottom in a bikini.
He dropped the glasses to his thigh. Those were exactly the kinds of things he could not -- would not -- think about about his new housekeeper. He'd lost the last one because she'd made a pass at him and he'd fired her. But instead of admitting she'd been let go because she'd tried to use her position as a springboard to becoming mistress of the house, Maria had promptly gone into town and trashed his reputation, claiming she'd quit because he was a grouch, too difficult to work for. The only way he'd recoup his standing with the locals would be to be nice to this new housekeeper, proving Maria had lied.
But being nice came with trouble of its own. Or maybe better said: Being nice to a live-in employee came with rules of its own. A line had to be drawn. He didn't want to be accused of sexual harrassment or even flirting. And he wouldn't. He would find a middle ground.
He nudged Jezebel, urging her to increase her pace.
Sophie bent into the rear compartment of her SUV. After setting several suitcases on the ground behind her vehicle, she lifted out an odd looking thing covered in net, at least four feet long and flat as a pancake. From the brackets on the side, he suspected that whatever it was, it was folded up. God only knew what it became when she unfolded it.
Once again, he nudged Jezebel, this time increasing her walk to a trot.
Adjusting the glasses so he could watch her as he rode, he saw Sophie slam the rear hatch, open the back door and bend inside.
There was more?
She pulled out a small seat and what looked to be a cooler and Jeb took Jezebel to a full gallop. What the hell was this woman doing? Planning to take over a wing in his house? Sure, she had to live with him, but he remembered telling her that her quarters were a bedroom, sitting room and bathroom. She didn't get to spread out all over his home.
He galloped past the outbuildings and barn, slowing Jezebel when they neared the driveway and taking her down to a walk when the reached the pavement.
Obviously hearing the clip-clop of Jez's approach, Sophie turned around. Shading her eyes with her hand, she looked up at him and called, "Hey! Good morning!"
Her bright brown eyes shone with joy, accenting her pert little nose, wide smile and nicely defined chin. Her should have kept his eyes on her face, but the blue top clinging to her breasts and the jeans outlining her perfect bottom drew his gaze downward until he'd taken in every feminine inch of her.
Irritated with himself, he nearly cursed. Why had he hired someone so cute?
A glance at her mountain of gear only increased his ire. Obviously she was all wrong for this job. He reined Jez a few feet ahead of the car, and growled, "What are you--"
Too late. Sophie ducked into her back seat again and he stopped talking. Not only was she providing him with a jaw-dropping view of her backside, but also there was little sense talking when his conversation partner couldn't hear him.
He waited patiently, ready to ask her just how much junk she thought she could get into a small suite of rooms, but when she pulled out of the back seat, baby in her arms, the words he'd intended to say fell out of his head. He was -- for the first time ever -- speechless.
She smiled at him. "I'm sorry. What did you say?"
He stared at her. Then the baby. The kid was small but chubby. Healthy. With pink cheeks and a thatch of thick black hair that poked out in all directions.
The only thing that came out of his mouth was, "What are you doing?"
She frowned. "You said to move in. Today. So I can start working tomorrow. Did I misread your instructions?"
"Apparently! Since I don't remember telling you to bring a baby!"
"Oh!" She laughed. "This is my son, Brady." She kissed the little boy's cheek. "Say hello, Brady."
The baby cooed and gooed and Jeb's heart stuttered in his chest. Willing back the swell of emotions that threatened to overtake him, he simply said, "You can't have a baby here."
Sophie kissed the baby's cheek again. "Why not? The agency said it wasn't a problem."
"The employment agency told you that you could bring him?"
"Yes, when they explained that this job was for a live-in housekeeper, I told them about Brady and they said it was no problem for me to bring him."
"I gave them the exact opposite instructions! I said no kids." Somebody's head was going to roll.
That's the beginning of MAID IN MONTANA...if you likie...go to Amazon.com or Barnes and Noble.com and get one of the older copies...or maybe digital if you have a Kindle.
That's all for this month! See you in August for Lesson 6 and another Andreas tie in.
Monday, June 6, 2011
BOARDROOM BABIES WINNER
Because we had a little trouble with Blogger last week, I allowed people to email me through my website and I added those names into the drawing.
So...the winner of the BABIES IN THE BOARDROOM series is...drum roll...
SUSAN LEECH!
Susan, contact me through the contact button on susanmeier.com to provide me with your addy to mail the books
Congrats and thanks to everyone who entered.
susan
So...the winner of the BABIES IN THE BOARDROOM series is...drum roll...
SUSAN LEECH!
Susan, contact me through the contact button on susanmeier.com to provide me with your addy to mail the books
Congrats and thanks to everyone who entered.
susan
Wednesday, June 1, 2011
Contest
Blogger is acting up a bit. If you cannot post a comment at the bottom of the ezine below...send me an email through to the CONTACT SUSAN button on the right and let me know you tried to post, but couldn't and want to be entered in the contest for the Babies in the Boardroom series.
Sorry for the inconvenience.
(Keep scrolling down for the ezine.)
susan
Sorry for the inconvenience.
(Keep scrolling down for the ezine.)
susan
June 2011
Winner of the three books in the BABIES IN THE BOARDROOM series, THE BABY PROJECT, SECOND CHANCE BABY and BABY ON THE RANCH, will be drawn on Monday, June 6.
Don't forget to comment to be entered in the drawing.
Happy June!
I have to admit I'm excited about this month's book, BABY AT THE RANCH, not just because it's the end of a series that I loved writing, a series I'm very proud of as an artist, but because it's my 45TH BOOK for Harlequin and Silhouette!
I'm marching toward 50 books. I can't even explain how exciting that is for me, except to say that thinking about how close I am caused me to remember the beginnings of my career and I, literally, want to fall down on my knees and thank my Maker because I never would have made it this far without some help From Above!
And help from a lot of wonderful editors and an agent or two. Not to mention my friend Denise who talks through my story ideas before I propose them to editorial, and my friends Deb and Jenna who brainstorm with me.
I also wouldn't have made it without lots of very loyal readers. I couldn't do this without you. Not just because the only way I get paid is if you buy my books, but also because I love the fan mail. I love the encouragement. I love that you love what I do.
So thank you.
My respect and appreciation for you is why I've begun posting Happily Ever Afters for my books, as well as little prequils in the What Came Before section. Additional material to the stories is my way of saying Thanks!
I think you're really going to like the ending to the Andreas Brothers saga, BABY AT THE RANCH. Suzanne Caldwell is a former spoiled socialite, who suddenly finds herself flat broke when her beloved grandmother dies. She's also a single mom, having gotten taken in by somebody who was only out for her gram's money. Everybody's surprised to discover her gram had somehow lost over a hundred million dollars and now Suzanne only has her shares of Andreas Holdings Stocks to somehow make a life.
But Andreas Holdings has been on the skids, so she can't sell it. No one wants it. Darius, Nick and Cade know the company is coming back...but they don't quite have the money yet to buy her stock.
So Nick and Darius, who have more than pulled their weight for the company since their father's death, tell Cade it's his time to step up and do right by the family.
Which would be cool, except Cade is unreasonably attracted to Suzanne. The book is funny, yet poignant. Cade's a widower who wasn't there when his wife passed. He feels guilty, and sort of angry because he believes all his life plans died with her. And along comes Suzanne. Full of energy and what my mother used to call piss and vinegar. She's dead set determined to give her baby a good life. She's learned from her mistakes and is willing to work hard and she doesn't take anyone's crap. She's more than a match for sometimes moody, usually bossy Cade!
I have to admit, I cried so hard when I proofread this thing that I couldn't really read the epilogue. LOL! If there are typos, that's why!
So enjoy BABY ON THE RANCH. If you missed the first two books in the series, they're on Amazon and Borders.com. This is a fun family you don't want to miss!
And go to susanmeier.com. Read the free stories in the What Came Before and Happily Ever After segments. Take a peek at the recipes. Do the workshops!
It's all free.
susan
For the Writers Among Us
Lesson 4 Scene Question
So what's the scene/chapter question?
Again, the scene/chapter question is for you, the writer.
Simply put, every scene must have a point. Each must be a step in the characters’ journeys. So -- if you want to be a smarty pants-- you could say every scene begins with the question…What's the point of this scene?
But we don't have to be smarty pants. Once we open our story with an inciting incident -- an action, if you will – there will be a reaction. And once there is a reaction, someone will make a decision and once someone makes a decision they will take another action and the whole thing starts all over again.
So, your scene questions will frequently be things like:
Now that the dam has burst [action] and everyone is running for his or her life [reaction], what decision could the protagonist make to save himself?
Or, if you take the action, reaction, decision example that I use in most of my workshops –
There's a fire in the barn.
The horses die.
The hero decides he's had enough
He leaves town.
You next chapter/scene question could be what does he find when he leaves town? Because that character’s next scene should be a reaction or a consequence. Leaving town was an action. So your next scene would be a reaction or consequence.
If you’re writing a category romance, everything that happens in the book (with a few exceptions for lines that allow the POV of secondary characters) needs to relate back to the hero and heroine. So you can drive the action/reaction/decision train the whole way through your book, bouncing back and forth between those two characters. Easy stuff. The hero takes an action, what will the heroine’s reaction be?
If you’re writing a single title (a bigger, standalone book like mainstream, thriller, suspense, women’s fiction, sci fi, paranormal), however, you will have other character POVs coming into play. The hero could take an action that results in a reaction from a secondary character. A secondary character (a villain for instance) could take lots of actions that jerk the hero and heroine and other characters around for the entire book.
Either way, you should have an action, reaction, decision train for each story thread. (Note that I don’t call them subplots. Very few books have true subplots in them anymore. Don’t get me started! LOL)
My point is that unless you’re writing a category romance or straight mystery or simple science fiction you will have a main story…say your hero is struggling to keep his ranch solvent for the final few months he has before he can sell his prize stallion and make a mint.
Before he can do this, his barn catches fire. He thinks the neighbor did it. So he gets a gun, goes to the neighbor and threatens him. The neighbor gets rid of him without bloodshed, but then we switch to the neighbor’s POV, when he goes into his house and calls the Sheriff. The sheriff promises to settle Jake (that’s a good rancher name) down. He hangs up with the neighbor and calls the hero’s ex-wife, the only person who’s ever been able to talk sense into him and gets her to promise to come back to Texas and get him through this. Then he hangs up the phone and calls someone else…this time he says, Okay, I set the fire in the barn. The horses are dead. Jake thinks it was the neighbor. I called his ex-wife to get her home to talk him into selling the ranch to you but now I’m out of it. And the villain says, “You’re out of it when I say you’re out of it.” Then hangs up the phone.
What just happened there? We have one story, which revolves around the fact that the villain wants the hero’s ranch. But it branched out to include the hero’s ex-wife and a romance, the sheriff being blackmailed by the unseen villain who wants the ranch, there’s some kind of 'thing' with the neighbor…a feud, maybe…and we have the sheriff’s past. What the heck has he done that he can be blackmailed for?
But it all relates back to the story of the villain wanting the hero’s ranch.
Okay, with all that going on you’re going to have action/reaction/decision sequences bouncing back and forth between characters.
And, to keep it simple, your scene question is probably going to be…Who should take this action…and what will the action be? Who will have the reaction…and what will the reaction be? Who should be making a decision…and what will that decision be? Who should be taking the resultant action?
That’s pretty simple, basic stuff. But it is a very quick, easy way to not just figure out what you next scene should be, but also to figure out the best character to take the action, have the reaction, make the decision, take the action.
If you’re getting rejections that say your book was disjointed…it might be because you have the wrong character front and center in the scene or maybe you’re not following the action/reaction/decision sequence.
If you’re getting rejections that say your book was episodic, you’re definitely not following the action/reaction/decision sequence.
But to get back to the purpose of our lesson…the scene question…the scene question really is that simple. Don’t make it harder than it has to be, but think it through…Really … Who should be taking the action, having the reaction, making the decision…and what should that action/reaction or decision be?
Piece of cake. That question can not only make your book more interesting, but by default it will keep you from making tons of plotting and pacing mistakes!
Now for those of you who write books (like fantasy) that seem to have plots running side-by-side that ultimately join, who don’t want to use action/reaction/decision to connect the two plots until you have to, you still have to use action/reaction and decision. You will simply have two (or 3 or however many) plots or action/reaction/decision threads running parallel until they join.
Make sense?
Your assignment?
Read the first three chapters of your manuscript. (Or the last manuscript you worked on.) Do you employ action/reaction and decision? (Lots of people do this naturally!)
If you don’t find an action/reaction/decision sequence…is your pacing off? Does your book have a disjointed feel? Is it slow? Boring? (Ouch!) Unfocused?
If you’re one of those people with parallel plots that aren’t supposed to join yet…Do you have separate action/reaction/decision sequences that keep each individual thread of the story tight and focused?
susan meier
BABY AT THE RANCH, June 2011, part of the Baby in the Boardroom mini-series for Harlequin Romance
Coming Attractions
August
Journey Steps. NEORWA
http://www.neorwa.com/index.php/Workshops/Workshops
Journey Steps, Taking the Train to Somewhere Ever wonder what you’re supposed to “put” in between those four or five turning points of your story? Susan Meier’s Journey Steps, Taking the Train to Somewhere provides quick, easy solutions for any author who has ever wondered “now what?” Topics include the “magic formula” for plotting, the list of five, explanation of plot threads versus subplot and tricks for writing an “edge-of-the-seat” read. Learn to tell your story in one straight-forward paragraph that can be used for pitches! Beginners, intermediate and experienced authors will benefit from this workshop.
Coming in October PREPARING FOR NANO at Pennwriters.com
Cat Tails
Well, it's summer and my famous felines are finally outside again. But now we prepare for the fear of every hot month here in PA...that Sophie will gift us with our own private chimpmunk. That's right, folks. At no cost to me, my sweet Sophie will herd any number of critters into my house and give them homes under my sofa. I once had a chimpmunk skitter up one arm, across my shoulders and down the other arm, when I sat in the recliner with my morning coffee.
So that scream you hear will probably be me!
Excerpt from BABY AT THE RANCH
Chapter 1
Suzanne Caldwell shoved against the spot in the door of Amanda Mae’s Old West Diner where the “waitress wanted” sign filled the glass. The scent of fresh apple pie greeted her, along with a rush of noise.
Though there were no more than ten people at the counter and in the booths, the place was as rowdy as a party. Women wearing jeans and tank tops sat with men dressed in jeans, T-shirts and cowboy hats. She didn’t get two steps into the room before the noise level began to drop. As if noticing the stranger, people stopped talking mid-sentence.
She clutched her six-month-old baby, Mitzi. There was nothing like walking into a roomful of staring strangers to make you realize how alone you were in the world.
And she was definitely alone. She’d run out of gas about a mile out of Whiskey Springs, Texas, and, literally, had no one to call for help.
No family. Her grandmother had died six months ago and her mom had died when Suzanne was six. Her dad, whoever he was, had never acknowledged her.
Her mom and grandmother were both only children so she had no aunts, no uncles, no cousins.
And no friends. The wonderful sorority sisters who’d vowed to be her ally for life had dumped her when she got pregnant by a popular university professor. It was her fault, they’d said, and had accused her of trying to ruin Bill Baker’s career. As if. The guy had gone on a campaign to seduce her and had wormed his way into her life because of her grandmother’s fortune. When Martha Caldwell made some major mistakes in money management and lost the bulk of her wealth, Professor Baker suddenly didn’t want to see her anymore. And he most certainly wanted no part of their baby.
So, yeah. She was alone. Alone. Broke. Desperate to make a home for herself and her baby. And she’d left Atlanta bound for Whiskey Springs hoping to find some help.
But after walking the last mile on a hot June day, her heels thumped in her black stiletto boots. Mitzi squirmed in her arms. Her heavy diaper bag was dislocating her shoulder. Still, she kept her head high as she made her way to the first empty booth. By the time she got there, the diner was dead silent.
A waitress shuffled over. “Help you?”
She cleared her throat. “I’d like a piece of the apple pie I can smell, a cup of coffee, a glass of milk and some pudding, please.”
“What kind of pudding?”
She swallowed. Not one person had turned back to his or her coffee or food. They just stared as if she were a zombie or vampire or some other mythical creature they’d never seen before. “What kind do you have?”
“Vanilla or chocolate.”
“Mitzi loves vanilla.”
Without so much as a word of acknowledgement, the waitress scurried away.
“You’re not from around here.”
Knowing the man could only be talking to her, she followed the voice and found herself staring into a pair of the shrewdest eyes she’d ever seen. Cool, calculating, so black the pupils were almost invisible, his eyes never blinked, never waivered as they held her gaze.
Toto, we are not in Kansas anymore.
“No, I’m not from around here.”
“What’s your business?”
“None of yours.” She turned away from the penetrating, unsettling eyes and shifted Mitzi on her lap.
To her horror, the man walked over and plopped down on the bench seat across from hers. His full lips pulled upward into a devilish smile. His dark eyes danced with pleasure. “Now, see. That’s not just a bad attitude; it’s also wrong.”
She should have been scared to death. He was big. Not fat, but tall and broad-shouldered. The kind of guy who could snap a little five-foot-five girl like her in two. But instead of fear, a very unladylike shiver of lust rippled down her spine.
“Everything that happens in Whiskey Springs is my business because this is my town.”
Not at all happy with herself for even having two seconds of attraction to an ill-mannered stranger, she said, “Your town? What are you, the sheriff?”
He chuckled. The people at the counter and in the booths around them also laughed.
“No. I’m Cade Andreas. I own this town. I bought all the buildings last year. I lease the businesses back to their proprietors, but I still own every square inch, including the one you’re sitting on.”
Oh, good God. This was Cade Andreas?
Fear and confusion immediately replaced attraction. Wasn’t the Andreas family broke?
She owned one-third of Andreas Holdings stock and hadn’t been able to sell it because the company was on the skids. What was he doing buying a town?
“And I’d like to know what brings you to my town.”
She raised her gaze to his face. A day-old growth of beard covered his chin and cheeks, giving him a sexily disreputable look. His lips were full, firm, kissable. His nose had been broken – undoubtedly in a fight – but it wasn’t disfigured, more like masculine. Definitely not dainty. There was nothing dainty about this man. He was all male. One-hundred percent, grade A, prime specimen sexy.
Finally, their eyes connected. Her chest tightened. Her breathing stalled. She could have blamed that on her unwitting attraction, but refused. A guy who bought a town had to be more than a little arrogant. Definitely past vain. Maybe even beyond narcissistic. And she’d learned her lesson about narcissistic men with Mitzi’s father. It would be a cold, frosty day in hell before she got involved with another self-absorbed man. So she refused to be attracted to Cade Andreas. Refused.
But she still needed a job. She might own stock worth millions of dollars, but nobody wanted to buy it. Potential didn’t sell stock these days. Dividends did. And in the past two years Andreas Holdings hadn’t paid any. So she was hoping that since she owned one-third of the company they could at least let her work there. The choice to approach Cade Andreas, the youngest of the three brothers who owned controlling interest of Andreas Holdings stock and ran the company, was simply a matter of practicality. Texas was driving distance. New York City, the headquarters for the corporate offices, wasn’t. Still, if they gave her a job, she’d get there somehow. She’d go anywhere that she could put down roots and make a home.
Maybe find some friends.
“What brings you to my town?”
This time the words were harsh. Not quite angry, but definitely losing patience.
She glanced at the waitress who stood behind the counter, balancing a coffee pot and Suzanne’s piece of pie, obviously holding them hostage until she answered Cade.
She looked back at him. His already sharp eyes had narrowed in displeasure, and she had the sudden, intense intuition that if she told him who she was – in front of his adoring friends and the frozen waitress – he would not jump for joy. She would bet her last dollar that none of these people knew how much trouble Andreas Holdings was in and Cade would not be happy with the person who announced it.
There was no way she could say who she was and why she was here without talking about something he would want kept private, and no way she could explain her presence in this two-bit town so far from a major highway that no one was ever just passing through.
She glanced around, saw the sign in the door advertising for a waitress and grabbed the first piece of good luck that had come her way in over a year.
“I heard about the job for a waitress, so I came.”
“In your fancy boots, with your baby all dolled up?”
“We put on our best stuff --” she said, making herself sound as if she fit the part of a waitress. She regretted the deception, but if anybody ever deserved to be played, this guy did. Owned a town, huh? She potentially held the future of his family’s company in her hands just by whom she chose to sell her stock to, yet he’d never once considered that she might be somebody worthy of his time. “-- For the interview.”
A short, round, dark-haired woman wearing an apron scampered out of the kitchen. “You’re looking for a job?”
“Yes.” The truth of that brought her back to reality. Her purpose for coming to Whiskey Springs had been to get a job – from Andreas Holdings. Now that plan was on hold. She wasn’t exactly here to be a waitress, but money was money. And she needed some. Now. Today. She had enough cash to pay for her piece of pie and even buy extra milk for Mitzi, but after that she and Mitzi were sleeping in her car.
“I’m Suzanne Caldwell.” Because her grandmother had held the stock in a trust, her name wasn’t mentioned on any documents, so she could give it without worry. “This is my baby Mitzi.”
Mitzi picked that exact moment to cry. The little brunette scrambled over. “I’m Amanda Mae.” She shot Cade an evil look, causing Suzanne to immediately love her. “Real men don’t make babies cry.”
Cade held up his hands innocently. “Hey, I was on my own side of the booth the whole time. I didn’t touch her.”
“You’re threatening her mama.”
His face fell. “I never threatened her!”
“Just your voice is threatening.”
He sighed. “Yeah. Right. Whatever.”
She took the baby. “Would you like a bottle, little Mitzi?”
Suzanne said, “I ordered some milk and pudding for her.”
Amanda Mae looked horrified. “June Marie, where are you with this baby’s food?”
The waitress hustled over, set Suzanne’s pie in front of her and poured her a cup of coffee before she rushed away and got both the pudding and the milk.
Eyes narrowed, Cade studied the woman across the booth from him. She was a pretty little package. Eyes so blue they bordered on the purple color of the wildflowers that grew on his pasture in the spring. Black hair cut in a straight, blunt line at her chin, giving her a dramatic look that didn’t fit with a woman who needed a job as a waitress. And those boots. Black stilettos. The kind a man envisioned on his chest, pinning him to a bed.
He stopped those thoughts. She might be a pretty with her perfect nose and full, tempting lips, but he wasn’t interested.
Still, he had no doubt that he had to keep an eye on her. Something wasn’t right with her. It wasn’t just her city-girl clothes. Her demeanor didn’t fit. Waitresses didn’t have smooth hands, perfect posture, an unblinking stare.
He rose from the booth. “Well, seeing as how you got the job you wanted, I guess we’ll be running into each other from time to time.”
She only smiled. A cool, remote smile that heated his blood and all but challenged him to turn on the charm and see how long it would take to get that smile to thaw. Luckily, he was smarter than that.
Amanda Mae said, “Do you have someplace to stay, honey?”
She faced the diner owner. “I – No. Actually, I need a place to stay.”
“Hotel’s in the next town over,” Cade said, striding back to his seat at the counter and his now cold coffee.
Amanada Mae shot him another evil glare. “Or she could use the apartment upstairs until she gets on her feet.”
“I’d like that.” Suzanne pressed her fingers to Amanda Mae’s hand in a gesture of appreciation that stopped Cade cold. Maybe she was in need of a little help? Her crisp white blouse and fancy jeans could be the last good things she owned. He hadn’t heard a car drive up. He glanced out the big front window into the street. He didn’t see a car. She could be dead broke--
Nope. His business sense wouldn’t accept that. Something about her screamed money. Big money. If she was pretending she didn’t have any, there was a reason.
Damn. He was going to have to keep an eye on her.
***
Don't forget to go to susanmeier.com to read the prologue...What Came Before...for Cade Andreas and check out the workshops, recipes and the Happily Ever Afters...stories about Gino and Michael Andreas thirty years after their parents found love!
Don't forget to comment to be entered in the drawing.
Happy June!
I have to admit I'm excited about this month's book, BABY AT THE RANCH, not just because it's the end of a series that I loved writing, a series I'm very proud of as an artist, but because it's my 45TH BOOK for Harlequin and Silhouette!
I'm marching toward 50 books. I can't even explain how exciting that is for me, except to say that thinking about how close I am caused me to remember the beginnings of my career and I, literally, want to fall down on my knees and thank my Maker because I never would have made it this far without some help From Above!
And help from a lot of wonderful editors and an agent or two. Not to mention my friend Denise who talks through my story ideas before I propose them to editorial, and my friends Deb and Jenna who brainstorm with me.
I also wouldn't have made it without lots of very loyal readers. I couldn't do this without you. Not just because the only way I get paid is if you buy my books, but also because I love the fan mail. I love the encouragement. I love that you love what I do.
So thank you.
My respect and appreciation for you is why I've begun posting Happily Ever Afters for my books, as well as little prequils in the What Came Before section. Additional material to the stories is my way of saying Thanks!
I think you're really going to like the ending to the Andreas Brothers saga, BABY AT THE RANCH. Suzanne Caldwell is a former spoiled socialite, who suddenly finds herself flat broke when her beloved grandmother dies. She's also a single mom, having gotten taken in by somebody who was only out for her gram's money. Everybody's surprised to discover her gram had somehow lost over a hundred million dollars and now Suzanne only has her shares of Andreas Holdings Stocks to somehow make a life.
But Andreas Holdings has been on the skids, so she can't sell it. No one wants it. Darius, Nick and Cade know the company is coming back...but they don't quite have the money yet to buy her stock.
So Nick and Darius, who have more than pulled their weight for the company since their father's death, tell Cade it's his time to step up and do right by the family.
Which would be cool, except Cade is unreasonably attracted to Suzanne. The book is funny, yet poignant. Cade's a widower who wasn't there when his wife passed. He feels guilty, and sort of angry because he believes all his life plans died with her. And along comes Suzanne. Full of energy and what my mother used to call piss and vinegar. She's dead set determined to give her baby a good life. She's learned from her mistakes and is willing to work hard and she doesn't take anyone's crap. She's more than a match for sometimes moody, usually bossy Cade!
I have to admit, I cried so hard when I proofread this thing that I couldn't really read the epilogue. LOL! If there are typos, that's why!
So enjoy BABY ON THE RANCH. If you missed the first two books in the series, they're on Amazon and Borders.com. This is a fun family you don't want to miss!
And go to susanmeier.com. Read the free stories in the What Came Before and Happily Ever After segments. Take a peek at the recipes. Do the workshops!
It's all free.
susan
For the Writers Among Us
Lesson 4 Scene Question
So what's the scene/chapter question?
Again, the scene/chapter question is for you, the writer.
Simply put, every scene must have a point. Each must be a step in the characters’ journeys. So -- if you want to be a smarty pants-- you could say every scene begins with the question…What's the point of this scene?
But we don't have to be smarty pants. Once we open our story with an inciting incident -- an action, if you will – there will be a reaction. And once there is a reaction, someone will make a decision and once someone makes a decision they will take another action and the whole thing starts all over again.
So, your scene questions will frequently be things like:
Now that the dam has burst [action] and everyone is running for his or her life [reaction], what decision could the protagonist make to save himself?
Or, if you take the action, reaction, decision example that I use in most of my workshops –
There's a fire in the barn.
The horses die.
The hero decides he's had enough
He leaves town.
You next chapter/scene question could be what does he find when he leaves town? Because that character’s next scene should be a reaction or a consequence. Leaving town was an action. So your next scene would be a reaction or consequence.
If you’re writing a category romance, everything that happens in the book (with a few exceptions for lines that allow the POV of secondary characters) needs to relate back to the hero and heroine. So you can drive the action/reaction/decision train the whole way through your book, bouncing back and forth between those two characters. Easy stuff. The hero takes an action, what will the heroine’s reaction be?
If you’re writing a single title (a bigger, standalone book like mainstream, thriller, suspense, women’s fiction, sci fi, paranormal), however, you will have other character POVs coming into play. The hero could take an action that results in a reaction from a secondary character. A secondary character (a villain for instance) could take lots of actions that jerk the hero and heroine and other characters around for the entire book.
Either way, you should have an action, reaction, decision train for each story thread. (Note that I don’t call them subplots. Very few books have true subplots in them anymore. Don’t get me started! LOL)
My point is that unless you’re writing a category romance or straight mystery or simple science fiction you will have a main story…say your hero is struggling to keep his ranch solvent for the final few months he has before he can sell his prize stallion and make a mint.
Before he can do this, his barn catches fire. He thinks the neighbor did it. So he gets a gun, goes to the neighbor and threatens him. The neighbor gets rid of him without bloodshed, but then we switch to the neighbor’s POV, when he goes into his house and calls the Sheriff. The sheriff promises to settle Jake (that’s a good rancher name) down. He hangs up with the neighbor and calls the hero’s ex-wife, the only person who’s ever been able to talk sense into him and gets her to promise to come back to Texas and get him through this. Then he hangs up the phone and calls someone else…this time he says, Okay, I set the fire in the barn. The horses are dead. Jake thinks it was the neighbor. I called his ex-wife to get her home to talk him into selling the ranch to you but now I’m out of it. And the villain says, “You’re out of it when I say you’re out of it.” Then hangs up the phone.
What just happened there? We have one story, which revolves around the fact that the villain wants the hero’s ranch. But it branched out to include the hero’s ex-wife and a romance, the sheriff being blackmailed by the unseen villain who wants the ranch, there’s some kind of 'thing' with the neighbor…a feud, maybe…and we have the sheriff’s past. What the heck has he done that he can be blackmailed for?
But it all relates back to the story of the villain wanting the hero’s ranch.
Okay, with all that going on you’re going to have action/reaction/decision sequences bouncing back and forth between characters.
And, to keep it simple, your scene question is probably going to be…Who should take this action…and what will the action be? Who will have the reaction…and what will the reaction be? Who should be making a decision…and what will that decision be? Who should be taking the resultant action?
That’s pretty simple, basic stuff. But it is a very quick, easy way to not just figure out what you next scene should be, but also to figure out the best character to take the action, have the reaction, make the decision, take the action.
If you’re getting rejections that say your book was disjointed…it might be because you have the wrong character front and center in the scene or maybe you’re not following the action/reaction/decision sequence.
If you’re getting rejections that say your book was episodic, you’re definitely not following the action/reaction/decision sequence.
But to get back to the purpose of our lesson…the scene question…the scene question really is that simple. Don’t make it harder than it has to be, but think it through…Really … Who should be taking the action, having the reaction, making the decision…and what should that action/reaction or decision be?
Piece of cake. That question can not only make your book more interesting, but by default it will keep you from making tons of plotting and pacing mistakes!
Now for those of you who write books (like fantasy) that seem to have plots running side-by-side that ultimately join, who don’t want to use action/reaction/decision to connect the two plots until you have to, you still have to use action/reaction and decision. You will simply have two (or 3 or however many) plots or action/reaction/decision threads running parallel until they join.
Make sense?
Your assignment?
Read the first three chapters of your manuscript. (Or the last manuscript you worked on.) Do you employ action/reaction and decision? (Lots of people do this naturally!)
If you don’t find an action/reaction/decision sequence…is your pacing off? Does your book have a disjointed feel? Is it slow? Boring? (Ouch!) Unfocused?
If you’re one of those people with parallel plots that aren’t supposed to join yet…Do you have separate action/reaction/decision sequences that keep each individual thread of the story tight and focused?
susan meier
BABY AT THE RANCH, June 2011, part of the Baby in the Boardroom mini-series for Harlequin Romance
Coming Attractions
August
Journey Steps. NEORWA
http://www.neorwa.com/index.php/Workshops/Workshops
Journey Steps, Taking the Train to Somewhere Ever wonder what you’re supposed to “put” in between those four or five turning points of your story? Susan Meier’s Journey Steps, Taking the Train to Somewhere provides quick, easy solutions for any author who has ever wondered “now what?” Topics include the “magic formula” for plotting, the list of five, explanation of plot threads versus subplot and tricks for writing an “edge-of-the-seat” read. Learn to tell your story in one straight-forward paragraph that can be used for pitches! Beginners, intermediate and experienced authors will benefit from this workshop.
Coming in October PREPARING FOR NANO at Pennwriters.com
Cat Tails
Well, it's summer and my famous felines are finally outside again. But now we prepare for the fear of every hot month here in PA...that Sophie will gift us with our own private chimpmunk. That's right, folks. At no cost to me, my sweet Sophie will herd any number of critters into my house and give them homes under my sofa. I once had a chimpmunk skitter up one arm, across my shoulders and down the other arm, when I sat in the recliner with my morning coffee.
So that scream you hear will probably be me!
Excerpt from BABY AT THE RANCH
Chapter 1
Suzanne Caldwell shoved against the spot in the door of Amanda Mae’s Old West Diner where the “waitress wanted” sign filled the glass. The scent of fresh apple pie greeted her, along with a rush of noise.
Though there were no more than ten people at the counter and in the booths, the place was as rowdy as a party. Women wearing jeans and tank tops sat with men dressed in jeans, T-shirts and cowboy hats. She didn’t get two steps into the room before the noise level began to drop. As if noticing the stranger, people stopped talking mid-sentence.
She clutched her six-month-old baby, Mitzi. There was nothing like walking into a roomful of staring strangers to make you realize how alone you were in the world.
And she was definitely alone. She’d run out of gas about a mile out of Whiskey Springs, Texas, and, literally, had no one to call for help.
No family. Her grandmother had died six months ago and her mom had died when Suzanne was six. Her dad, whoever he was, had never acknowledged her.
Her mom and grandmother were both only children so she had no aunts, no uncles, no cousins.
And no friends. The wonderful sorority sisters who’d vowed to be her ally for life had dumped her when she got pregnant by a popular university professor. It was her fault, they’d said, and had accused her of trying to ruin Bill Baker’s career. As if. The guy had gone on a campaign to seduce her and had wormed his way into her life because of her grandmother’s fortune. When Martha Caldwell made some major mistakes in money management and lost the bulk of her wealth, Professor Baker suddenly didn’t want to see her anymore. And he most certainly wanted no part of their baby.
So, yeah. She was alone. Alone. Broke. Desperate to make a home for herself and her baby. And she’d left Atlanta bound for Whiskey Springs hoping to find some help.
But after walking the last mile on a hot June day, her heels thumped in her black stiletto boots. Mitzi squirmed in her arms. Her heavy diaper bag was dislocating her shoulder. Still, she kept her head high as she made her way to the first empty booth. By the time she got there, the diner was dead silent.
A waitress shuffled over. “Help you?”
She cleared her throat. “I’d like a piece of the apple pie I can smell, a cup of coffee, a glass of milk and some pudding, please.”
“What kind of pudding?”
She swallowed. Not one person had turned back to his or her coffee or food. They just stared as if she were a zombie or vampire or some other mythical creature they’d never seen before. “What kind do you have?”
“Vanilla or chocolate.”
“Mitzi loves vanilla.”
Without so much as a word of acknowledgement, the waitress scurried away.
“You’re not from around here.”
Knowing the man could only be talking to her, she followed the voice and found herself staring into a pair of the shrewdest eyes she’d ever seen. Cool, calculating, so black the pupils were almost invisible, his eyes never blinked, never waivered as they held her gaze.
Toto, we are not in Kansas anymore.
“No, I’m not from around here.”
“What’s your business?”
“None of yours.” She turned away from the penetrating, unsettling eyes and shifted Mitzi on her lap.
To her horror, the man walked over and plopped down on the bench seat across from hers. His full lips pulled upward into a devilish smile. His dark eyes danced with pleasure. “Now, see. That’s not just a bad attitude; it’s also wrong.”
She should have been scared to death. He was big. Not fat, but tall and broad-shouldered. The kind of guy who could snap a little five-foot-five girl like her in two. But instead of fear, a very unladylike shiver of lust rippled down her spine.
“Everything that happens in Whiskey Springs is my business because this is my town.”
Not at all happy with herself for even having two seconds of attraction to an ill-mannered stranger, she said, “Your town? What are you, the sheriff?”
He chuckled. The people at the counter and in the booths around them also laughed.
“No. I’m Cade Andreas. I own this town. I bought all the buildings last year. I lease the businesses back to their proprietors, but I still own every square inch, including the one you’re sitting on.”
Oh, good God. This was Cade Andreas?
Fear and confusion immediately replaced attraction. Wasn’t the Andreas family broke?
She owned one-third of Andreas Holdings stock and hadn’t been able to sell it because the company was on the skids. What was he doing buying a town?
“And I’d like to know what brings you to my town.”
She raised her gaze to his face. A day-old growth of beard covered his chin and cheeks, giving him a sexily disreputable look. His lips were full, firm, kissable. His nose had been broken – undoubtedly in a fight – but it wasn’t disfigured, more like masculine. Definitely not dainty. There was nothing dainty about this man. He was all male. One-hundred percent, grade A, prime specimen sexy.
Finally, their eyes connected. Her chest tightened. Her breathing stalled. She could have blamed that on her unwitting attraction, but refused. A guy who bought a town had to be more than a little arrogant. Definitely past vain. Maybe even beyond narcissistic. And she’d learned her lesson about narcissistic men with Mitzi’s father. It would be a cold, frosty day in hell before she got involved with another self-absorbed man. So she refused to be attracted to Cade Andreas. Refused.
But she still needed a job. She might own stock worth millions of dollars, but nobody wanted to buy it. Potential didn’t sell stock these days. Dividends did. And in the past two years Andreas Holdings hadn’t paid any. So she was hoping that since she owned one-third of the company they could at least let her work there. The choice to approach Cade Andreas, the youngest of the three brothers who owned controlling interest of Andreas Holdings stock and ran the company, was simply a matter of practicality. Texas was driving distance. New York City, the headquarters for the corporate offices, wasn’t. Still, if they gave her a job, she’d get there somehow. She’d go anywhere that she could put down roots and make a home.
Maybe find some friends.
“What brings you to my town?”
This time the words were harsh. Not quite angry, but definitely losing patience.
She glanced at the waitress who stood behind the counter, balancing a coffee pot and Suzanne’s piece of pie, obviously holding them hostage until she answered Cade.
She looked back at him. His already sharp eyes had narrowed in displeasure, and she had the sudden, intense intuition that if she told him who she was – in front of his adoring friends and the frozen waitress – he would not jump for joy. She would bet her last dollar that none of these people knew how much trouble Andreas Holdings was in and Cade would not be happy with the person who announced it.
There was no way she could say who she was and why she was here without talking about something he would want kept private, and no way she could explain her presence in this two-bit town so far from a major highway that no one was ever just passing through.
She glanced around, saw the sign in the door advertising for a waitress and grabbed the first piece of good luck that had come her way in over a year.
“I heard about the job for a waitress, so I came.”
“In your fancy boots, with your baby all dolled up?”
“We put on our best stuff --” she said, making herself sound as if she fit the part of a waitress. She regretted the deception, but if anybody ever deserved to be played, this guy did. Owned a town, huh? She potentially held the future of his family’s company in her hands just by whom she chose to sell her stock to, yet he’d never once considered that she might be somebody worthy of his time. “-- For the interview.”
A short, round, dark-haired woman wearing an apron scampered out of the kitchen. “You’re looking for a job?”
“Yes.” The truth of that brought her back to reality. Her purpose for coming to Whiskey Springs had been to get a job – from Andreas Holdings. Now that plan was on hold. She wasn’t exactly here to be a waitress, but money was money. And she needed some. Now. Today. She had enough cash to pay for her piece of pie and even buy extra milk for Mitzi, but after that she and Mitzi were sleeping in her car.
“I’m Suzanne Caldwell.” Because her grandmother had held the stock in a trust, her name wasn’t mentioned on any documents, so she could give it without worry. “This is my baby Mitzi.”
Mitzi picked that exact moment to cry. The little brunette scrambled over. “I’m Amanda Mae.” She shot Cade an evil look, causing Suzanne to immediately love her. “Real men don’t make babies cry.”
Cade held up his hands innocently. “Hey, I was on my own side of the booth the whole time. I didn’t touch her.”
“You’re threatening her mama.”
His face fell. “I never threatened her!”
“Just your voice is threatening.”
He sighed. “Yeah. Right. Whatever.”
She took the baby. “Would you like a bottle, little Mitzi?”
Suzanne said, “I ordered some milk and pudding for her.”
Amanda Mae looked horrified. “June Marie, where are you with this baby’s food?”
The waitress hustled over, set Suzanne’s pie in front of her and poured her a cup of coffee before she rushed away and got both the pudding and the milk.
Eyes narrowed, Cade studied the woman across the booth from him. She was a pretty little package. Eyes so blue they bordered on the purple color of the wildflowers that grew on his pasture in the spring. Black hair cut in a straight, blunt line at her chin, giving her a dramatic look that didn’t fit with a woman who needed a job as a waitress. And those boots. Black stilettos. The kind a man envisioned on his chest, pinning him to a bed.
He stopped those thoughts. She might be a pretty with her perfect nose and full, tempting lips, but he wasn’t interested.
Still, he had no doubt that he had to keep an eye on her. Something wasn’t right with her. It wasn’t just her city-girl clothes. Her demeanor didn’t fit. Waitresses didn’t have smooth hands, perfect posture, an unblinking stare.
He rose from the booth. “Well, seeing as how you got the job you wanted, I guess we’ll be running into each other from time to time.”
She only smiled. A cool, remote smile that heated his blood and all but challenged him to turn on the charm and see how long it would take to get that smile to thaw. Luckily, he was smarter than that.
Amanda Mae said, “Do you have someplace to stay, honey?”
She faced the diner owner. “I – No. Actually, I need a place to stay.”
“Hotel’s in the next town over,” Cade said, striding back to his seat at the counter and his now cold coffee.
Amanada Mae shot him another evil glare. “Or she could use the apartment upstairs until she gets on her feet.”
“I’d like that.” Suzanne pressed her fingers to Amanda Mae’s hand in a gesture of appreciation that stopped Cade cold. Maybe she was in need of a little help? Her crisp white blouse and fancy jeans could be the last good things she owned. He hadn’t heard a car drive up. He glanced out the big front window into the street. He didn’t see a car. She could be dead broke--
Nope. His business sense wouldn’t accept that. Something about her screamed money. Big money. If she was pretending she didn’t have any, there was a reason.
Damn. He was going to have to keep an eye on her.
***
Don't forget to go to susanmeier.com to read the prologue...What Came Before...for Cade Andreas and check out the workshops, recipes and the Happily Ever Afters...stories about Gino and Michael Andreas thirty years after their parents found love!
Friday, April 22, 2011
May 2011
May! Can you believe it?
Doesn't it feel like just yesterday we were popping corks on champagne, celebrating the new year?
Time certainly does fly, but...I have to admit...I'm sort of thrilled that it's May. I love this month's release in the Baby in the Boardroom series, SECOND CHANCE BABY.
Nick and Maggie were a joy to write! Not only is Nick a cool southern gentleman with a great beach house, but Maggie is a fun, funny, hardworking woman just trying to get her life back together, who returned to Ocean Palms, North Carolina to be with her dad.
She's pregant with her ex-husband'd child, which annoys Nick since he was her first husband -- they'd married as teens when she'd gotten pregnant and they were incredibly happy -- but enter Stephone Andreas. Nick's missing father. At the worst possible time, he offers Nick a five million dollar trust fund. The only catch is he has to be single. Stephone blames his womanizing ways on being married when he became rich. He wasn't able to overcome the temptations thrown at him just because he had money and he cheated on Darius's mom with Nick's mom and Cade's mom and created two other Andreas heirs. So he's offering each of his sons five million dollars BEFORE they settled down to get all that out of their systems. So if Nick wants his five mill, he's gotta be single.
Of course, Maggie overhears the lawyer and of course she doesn't want him to give up his chance at success for her...Oh, wait! The whole scene for this is on my website! It's in the What Came Before section. If you want to read the heart-tugging scene where Maggie pretends she doesn't love Nick and leaves, it's online! You can read it now at susanmeier.com. Click What Came Before.
I loved Nick and Maggie's book and I think you will too!
This month is also my husband's birthday. Can't wait to see how we celebrate that. And I'll be speaking on a panel with Nancy Martin and Jonathan Maberry at the Published Authors Luncheon at the annual Pennwriters conference in Pittsburghon May 13.
This month in the eZine, we also have Lesson 3 of THE POWER OF QUESTIONS. And I'll give you my standard reminder that there are three free workshops on the site, GOAL SETTING, 10-MINUTE SOLUTION and HOW TO ANALYZE THE BOOKS YOU READ.
I'm also posting a time-management lesson (a very short lesson) on my blog every Monday. So watch for that!
Also Coming Attractions lists the schedule of my online workshops for the rest of the year, with the reminder that I'm only giving each workshop once. So if you miss it, you miss it until next year!
There's a cat tail!
And, of course, an excerpt from SECOND CHANCE BABY.
New recipes go up periodically in the HOME COOKING section of susanmeier.com.
And there are some short stories up too. This month in the HAPPILY EVER AFTER blog, Baby Gino's story is up! If you read THE BABY PROJECT, read the happily ever after that shows Darius and Whitney interfering (ever so slightly) in Gino's romance 30 years after the book.
So visit susanmeier.com and enjoy the freebies!
Happy reading!
susan
For the Writers Among us!
Lesson 3 Your Individual Story Question or Reader Question
Right now you’re thinking that the modified core story question we did in Lesson 2 is your INDIVIDUAL STORY QUESTION. Sorry. It’s the core or heart of your story, but it’s not the question that’s going to drag readers through the book. (So for simplification purposes we’re going to call this the reader question.)
Okay. So what do I mean by a question dragging readers through the book?
Simply put, your story question/reader question is the question the reader should consistently be asking as they are reading your book.
For instance, a few years ago I wrote a book SNOWBOUND BABY, about a hero and heroine who are stuck in the cabin in the woods. The hero is a trucker, estranged from his wealthy brothers, who happened upon the stranded heroine on an icy mountain road and gets stranded himself.
He has a secret. He's got a certified check for hundreds of thousands of dollars in his backpack because he's on his way to Arkansas to pay off his brothers, who bought the mortgage on his ranch, he believes, only to show him that they are always in control. His brothers have only ever wanted to control him. He trusts no one.
The heroine is a single mom. Her ex walked out when she got pregnant because he didn't "do" daddy. But her parents had also left when she was 18. As if 18 was some sort of magic number. They'd been unhappily married almost since the day she was born, but to assure she had a good upbringing they stayed together. But the minute she graduated from high school, they split! Happily. And both sort of forgot she existed. Oh, they send birthday cards, but they behave as if they've been left out of prison, for the first time able to have the lives they want. She feels very unwanted and unloved.
So…he can't commit. He thinks family sucks.
She needs a commitment from someone. She desperately wants a family. A real family.
They are doomed. The worst kind of mismatched.
The reader question isn't what has to happen to get these two together.
Readers won't read for that. That's an author question. We ask ourselves questions like this so that we can ascertain plot points and journey steps and know what to write next.
Your reader question is designed for READERS. It's what keeps them reading. Which means you also need to know it to make sure it stays in the forefront and pulls readers through your story.
So…what were my core story question and reader story question for SNOWBOUND BABY?
Core story: How will the hero and heroine get together when he doesn’t believe in love and she desperately needs to be loved?
Reader story question: Will she have enough time to realize his real problem is that he believes he's unworthy of love and then prove to him that he is?
The book was a sort of race against the clock. Though my heroine didn't realize she was trying to show the hero the power of love, readers knew only she could. But she didn't have a lot of time. As soon as the snow plow went through after the blizzard that stranded them, he would be on the road again.
Worse, he truly didn't believe. His parents had died when he was in his teens. His older brother – barely out of high school himself – raised him. All of his examples of love were examples of either being deserted or being controlled. (Because his poor older brother didn’t know better!)
And the heroine truly was a dreamer. She believed in love like no character I’d ever written. She was actually very fun to write!
Anyway, they were attracted, but had totally opposite beliefs. So there was a tension in there. The fact that they wouldn’t be in that cabin forever came smack dab up against her desperate need to be loved and his desperate need for someone to love him and prove to him that love existed.
And that's what kept readers turning those pages. Will they have enough time together or will he leave before she can prove to him that love exists?
Even better in SNOWBOUND BABY, in the black moment, it looked as if time had run out and she'd failed.
THAT's what keeps readers reading. The very real feeling that the heroine wasn’t going to satisfactorily answer the reader question because the answer was no!
In the black moment, it truly appeared as if all was lost and there absolutely was no way they’d ever see each other again. Because though she cared enough to find out details about him (like his last name), he wouldn’t tell her his address and he never asked for hers. Because they were travelers on a road, neither one of them could assume the other’s city or town of residence.
So the bottom line to all of this is:
The reader story question is something for readers. It's what keeps them reading.
YOU need to know it to make sure that it's always on the readers' minds.
Not necessarily as an actual question that pops up in the story (though sometimes you can have the heroine think or say: Will I have enough time with this guy to show him that love can be real?) but in most cases it actually manifests as something more like a reader reaction.
For example, at the end of one chapter of SNOWBOUND BABY when the hero sees how pretty the heroine is and knows it's been too long since he's been alone with a woman -- and that he doesn't want to hurt her because she's been hurt enough -- he ducks away from trouble by going to bed early …
And I could almost hear readers collectively groaning…Oh, God! He went to bed early. They only have a weekend together! She'll never have enough time to convince him.
That's one way to keep the reader question in the forefront. Consistently make it appear that the protagonist has failed, or is failing.
I realized this during the big romantic suspense craze. The reader story question usually is: "Will the female protagonist figure out who the killer is before he kills her?"
Reading those books, my lightning-fast mind realized that the authors always had to have the READERS afraid the protagonist wasn't quite going to succeed. Either she didn't know the depth of the threat or didn't have enough of the puzzle pieces to put it all together, or had decided to follow a wrong path.
In THE TERMINATOR (one of my favorite movies and a movie, by the way, that I think is just about perfect craftwise…) the “wrong path” technique is used. But it's used very cleverly. All the Sarah Connors in town are being murdered. But the heroine doesn’t know this. When two Sarah Connors are murdered, newscasters speculate that the killer at first got the wrong woman, discovered his mistake and murdered the right one. So, thinking the threat is over, our Sarah goes to a bar. And viewers begin to get nervous. We understand that she's been led down a wrong path…but we haven't been led down the wrong path! We know Arnold has killed others! Those victims simply weren't discovered yet. We want our Sarah Connor home…no better yet, we want our Sarah at the police station where she will be safe! And sure enough, who comes into the bar? Arnold, carrying a gun. The threat we perceived as viewers was very real and but our Sarah had wrong information.
What was the reader/viewer question?
What the hell is going on here that Arnold wants all the Sarah Connors dead and will our Sarah survive?
It takes a lot of the movie to answer the first part of that question for viewers. Mostly because it’s an action movie. The whole explanation can’t be spit out at one time because they’re always running. Second, the whole explanation can’t be spit out because it’s implausible. The man from the future needs to earn some reader/viewer trust before he can fully explain.
But that question…Why the heck does the Terminator want all the Sarah Connors dead and will our Sarah escape? . . . really keeps us on the edges of our seats!
The writers of the Terminator were always aware of their reader/viewer story question. Because in every scene Arnold was after her and she just barely escaped.
So let’s run over one more example of how to do this in a romance.
In my first release for Harlequin Romance HER PREGNANCY SURPRISE the reader story question was:
Will the heroine discover the hero didn't leave her to have their baby alone because he's bad, but because he blames himself for a tragedy in his life and he doesn't trust himself, and if she does will she be able to help him get beyond his grief so he can love her?
One of the things that I have discovered about a story question for a romance is that it sometimes needs to be two-tiered. The first part of the story question pertains to the external conflict. The second part to the internal conflict.
In HER PREGNANCY SURPRISE, the hero and heroine spend a weekend together, he leaves town on business and when he comes back he forgets how "wonderful" she is. (And she is. Truly.) They had a magical weekend, but he’s such a skeptical (hurt by love) guy that he convinced himself that the weekend (and heroine) weren’t that great.
Anyway, he is her boss, so when he returns to the office and she just happens to "visit" him at about 10:00, eager to see him…he breaks up with her. Readers know he's got a problem with blame. Something happened in his past that caused him to mistrust…especially himself and his own instincts.
But the heroine, who doesn’t know his past, believes he just used her because he’s a rich guy who feels he should be allowed to do things like sleep with his employees. So she sucks it up, and leaves his office with her dignity.
But two weeks later discovers she's pregnant. Being as mired in grief and guilt as he is, when she tells him, he thinks it's a trick to get him to take her back and he really doesn’t want anything to do with her then! He FIRES her and she has the baby alone.
So after the baby is born, she doesn’t trust him. Duh. No kidding. He behaved badly. But readers know he's not bad. They know he's suffering and struggling. But she doesn't know.
So the first part of the reader story question . . .
Will the heroine discover the hero didn't leave her to have their baby alone because he's bad, but because he blames himself for a tragedy in his life and he doesn't trust himself . . .
. . .pertains to her getting beyond the "thing" that is obvious and "out there" -- External. He hurt her. She doesn't trust him. There's more to his story than meets the eye, but she’s got to get past his hurting her before she can get to the real heart of the matter.
But isn't that true of all of life? Once you get beyond superficialities when you meet someone, you learn the truth and then you make a second choice. A more informed choice. Maybe even your real choice.
If you’re writing a romance, your book's reader question should work very much the same way. Once you get past the initial layer of a character's personality, the real conflict comes into play.
Back to HER PREGNANCY SURPRISE. . .
By the time she realizes he feels responsible for a tragedy, she's had a week of living with him to get to know him and she quickly realizes that if he could have prevented the accident he would have. Finding out his internal struggle, actually frees her to love him.
But…Will it do her any good?
Not unless she can get him to forgive himself.
Thus the second half of the reader story question is born…and it is based on internal conflicts. “…and if she does [realize he’s not “bad” but tormented by something in his past] will she be able to help him get beyond his grief so he can love her?”
So in a romance, the first half of the reader story question that draws readers through the story pertains to the external struggle; the second half to the internal struggle.
To recap…
The reader story question is a question you set up at the beginning of the book. It's something readers "voice" not by saying, Gee, I wonder if she'll be able to get him to trust himself so he can love her?
But rather, they voice it as reaction…They turn the page and keep reading as they’re thinking…Oh, Gosh, his life has been terrible to this point and the heroine doesn't know! He feels so darned bad that even if he tells her, and she understands and forgives him about the pregnancy, he's never going to let go of the blame enough to love her…
A reader question is born!
If you don't know your reader story question at the beginning of your book, your book will be unfocused. That's okay for the first chapter, maybe even the second, but by chapter three readers will tire of feeling like a candle in the wind.
Not because they want to be led by the nose, but because they want to be entertained. The best way for YOU to entertain them is to know the question they are asking themselves as they read. So that you can torture them…I mean entertain them.
For your homework, I’d like for you to go to your current WIP and define the question you believe readers will be asking as they read through your book. Then I want you to decide if that’s a good question. LOL
If it isn’t, or if there is no reader question, I’d like for you to write a reader question. A good one!
susan meier
SECOND CHANCE BABY, part of the BABY IN THE BOARDROOM mini-series from Harlequin Romance
Coming Attractions
August
Journey Steps. NEORWA
http://www.neorwa.com/index.php/Workshops/Workshops
Journey Steps, Taking the Train to Somewhere Ever wonder what you’re supposed to “put” in between those four or five turning points of your story? Susan Meier’s Journey Steps, Taking the Train to Somewhere provides quick, easy solutions for any author who has ever wondered “now what?” Topics include the “magic formula” for plotting, the list of five, explanation of plot threads versus subplot and tricks for writing an “edge-of-the-seat” read. Learn to tell your story in one straight-forward paragraph that can be used for pitches! Beginners, intermediate and experienced authors will benefit from this workshop.
October Preparing for Nano for Pennwriters. (See Pennwriters.org)
Cat Tails
Our poor sweet Fluffy cat is getting up in years and what's interesting is that as he gets older he seems to associate more to my husband -- the other old man in the house -- than to my daughter. There are times when he sits on the sofa with my DH that they look like two old men sitting on rockers outside the general store! LOL
Now that's a vivid image!
Excerpt SECOND CHANCE BABY
Chapter 1
“Your ex-wife applied for the job as your assistant.”
Nick Andreas glanced up at his current assistant, soon-to-be-retired Julie Farnsworth. He’d just flown back to North Carolina after six weeks in New York City. He was exhausted and wanted nothing more than to go to his beach house, get out of his monkey suit and take a nap on his hammock. He’d only popped into the office because he had a huge bid due to renew the government contract that was the bread and butter of his manufacturing plant. He had to get an assistant in now.
He just wasn’t sure hiring Maggie Forsythe as Julie’s replacement was the best way to go. When he had a bid due, his assistant worked with him – directly with him, at his side – ten hours a day, six days a week. No man wanted to spend that much time with his ex-wife. Not even an ex-wife he hadn’t seen in fifteen years. An ex-wife he barely remembered.
He tossed his pen to his desk. “You wouldn’t be telling me this if she wasn’t qualified.”
“She’s qualified. Over qualified in some respects.”
“And she actually applied?”
“Well, we certainly didn’t drag her in off the street.”
He laughed and leaned back in his chair. So Maggie wanted to work for him? He smiled skeptically as weird feelings assaulted him. He hadn’t thought about Maggie Forsythe in over a decade. Now, suddenly, he could vividly recall how the sun would catch her red hair and make it sparkle, her wide, happy smile, the sound of her laughter.
“Sorry if I’m finding all this a little hard to believe, but we didn’t exactly part on the best of terms. Andreas Manufacturing should be the last place she wants to work.”
His sixty-five-year-old assistant caught his gaze with serious dark eyes. “She needs the money.”
She was broke? The way he’d been when they’d met?
Memories of his childhood and teen years cascaded through his brain like water spilling from a waterfall. Maggie at six, toothless in first grade, dividing her morning snack with him before they went into the building so no one in their class would see he hadn’t brought one. Maggie at twelve, fishing with him so he and his mom could have something for supper. Maggie at fifteen, hanging out in the souvenir shop where he worked, entertaining him on long, boring afternoons before the tourist season picked up. Maggie at eighteen, swollen with his child.
A long-forgotten ache filled his chest and made him scowl. The woman he was remembering with such fondness had dropped him like a hot potato when she’d lost their baby. She hadn’t loved him. She’d only married him because he’d gotten her pregnant one reckless night. Twenty minutes after they returned from the hospital after her miscarriage, she was out the door of his mom’s house. Out of his life.
“She should have as many reservations about working with me as I have about working with her.”
“Her stepmom died while you were in New York. Rumor has it that she came home for the funeral and decided her dad needed her. She quit her job and moved back permanently but in three weeks of looking she couldn’t find work – unless she wants to commute to the city.” Julie peered at him over the rim of her glasses. “Aside from tourism, you’re the only real employer in Ocean Palms.”
He picked up his pen again. “Hire her.”
Julie gasped softly. “Really?”
“Sure. We were married as kids. Fifteen years have gone by.” He wasn’t such a selfish, self-centered oaf that he’d let someone suffer because she had the misfortune of having a history with him. He knew what it was like to have no options. He’d spent his entire childhood living hand-to-mouth. He wouldn’t ignore the person who, as a child, had shared with him, helped him, even rescued him a time or two.
Plus, if Julie said Maggie was the person for the job then she was.
Julie rose. “Okay. She’s in my office. She said she can begin today. I’ll bring her in and we can get started.”
Nick sat up in his seat. Today? He didn’t even have ten minutes to mentally prepare?
Julie walked to his office door and opened it. “Come in, Maggie.”
A true southern gentleman, Nick rose from the tall-back chair behind his huge mahogany desk. Ridiculously, he couldn’t squelch the pride that surged up in him as he took in the expensive Persian rugs that sat on the hardwood floors of his office, the lamps from China, the heavy leather sofa and chair in the conversation area, the art from the broker in New York City. He was rich, successful, and his office showed it. He’d fulfilled the promise of his youth. He had brains and skill and he’d parlayed those into wealth beyond anyone’s expectations. One look at his office would tell Maggie he wasn’t the eighteen-year-old boy she’d deserted anymore.
The click of high heels on the hardwood announced her arrival two seconds before she appeared in his doorway. Her gorgeous red hair flowed around her, but it was shaped and curled in a way that framed her face, not straight as she had worn it when they were married. Her once sparkly green eyes now held soul-searching intensity. Her full red lips rose slightly in a reluctant smile.
Just as he wasn’t the eighteen-year-old she’d left behind anymore, she didn’t look a thing like his Maggie.
He relaxed as his gaze involuntarily fell from her face to her dress. A simple red tank dress that showed off a newly acquired suntan, but also couldn’t hide her only slightly protruding stomach.
She was pregnant?
He gave her tummy a more thorough scrutiny.
She was pregnant.
And suddenly he was that eighteen-year-old boy again. Seeing his woman, the love of his life, swollen with his child. More memories washed over him. The dreams he’d had for the kind of father he would be rose up as if he’d been lost in them only yesterday. Love for her, the woman bearing his child, burst in his chest.
But this wasn’t his child. She’d lost their child.
And she didn’t love him.
Hell, he no longer loved her.
“Come in,” he said. His voice was tight with a bit of a squeak but he ignored that, motioning to the chair in front of his desk.
Maggie took a few hesitant steps inside. Now trim instead of lanky, she wore her pregnancy the same way another woman would wear a designer dress.
That was when he realized she was probably married. Happily married. Not scared and hesitant, but with no other options because her stepmom had kicked her out of the house. But happy. Having a child with the man she loved.
He swallowed the knot that formed in his throat, reminding himself that these emotions churning through him were ridiculous. He was over her. Plus, they hadn’t even seen each other in fifteen years. The feelings weren’t really feelings. They were residue. Like cobwebs that had clung to the walls of his brain and would disappear once he got to know the adult Maggie.
“Julie wants to hire you but I have a few reservations.”
He didn’t even try to stop the words that flowed from his mouth. Though he’d already told Julie to hire her, now that he saw that she was pregnant, he had some concerns. Not about the “feelings” seeing her pregnant aroused, but her ability to do the job.
She gracefully sat on the chair in front of his desk, smiled softly. “You mean because we were once married?”
He snorted a laugh, but Julie’s hand flew to her throat. “You know, I think I’ll just go get us some coffee.”
Nick said, “She can’t drink coffee,” at the same time that Maggie said, “I don’t drink coffee.”
Julie said, “Then I’ll get some coffee for myself.” She fled the room, closing the door behind her.
Nick sat back in his chair, reaching deep inside himself for the calm that was his trademark. He had to treat her as any other employee and speak accordingly.
“For the next four weeks I need to work ten-hour days.”
“Six days a week. I get that. Julie told me.”
“Can you keep up?”
“Of course, I can keep up. I’m pregnant not sick.”
The room plunged into eerie silence. Memories of the day she’d lost their baby haunted him like menacing ghosts.
As if recognizing where his thoughts had gone, Maggie sighed. “Nick, I’m fine. Really. And I need this job. If you don’t hire me I’ll have to get work in the city and commute an hour each way.”
“An hour commute might be better for a pregnant woman than racing around the plant looking for documents I need, assembling information from different departments--”
He paused to catch her gaze and when he saw green eyes sparking with fire, everything he intended to say fell out of his head. He remembered that look very well, remembered how many times it had taken them straight to bed.
“I already told you I can keep up.”
He took in a quiet breath, reminding himself that Maggie was a married woman who wanted to work for him. The last thing he needed to be thinking about was how her fiery need for independence had played out between the sheets.
“Yeah, well, maybe I want some kind of proof.”
She smiled sweetly, calmly. “In a couple of months, I’m not going to be pregnant anymore. Then you’re going to be sorry you lost the chance to hire me.”
A laugh escaped. Dear God. This really was his Maggie. Fiery one minute, serene the next. And the common sense, logical Maggie could be every bit as sexy as the impassioned one.
But she was married.
And he was a runaround now.
Having a father who’d abandoned him had made him want commitments, but Maggie leaving him had set him straight on that score. And he’d changed. He wasn’t simple Nick Roebuck anymore. The guy who hadn’t taken his father’s name. The guy who wanted commitments. A wife. Family. Nope. Nick Roebuck was gone. He was now Nick Andreas, playboy.
“Besides, my father needs me.”
Shifting in his chair, Nick blew his breath out in a gusty sigh. Who he was didn’t matter. Who she was didn’t matter. She was off limits. “I’m sorry about your stepmom.”
“Thanks.”
“I was out of town or I would have paid my respects.”
Her gaze dipped. “I know.”
“Was everything – you know – okay?” He nearly bit his tongue for his clumsiness. But what could he say? How could he ask if she and Vicki had mended fences? If they’d ever gotten beyond the fact that Vicki had favored Charlie Junior over her? If Vicki had ever forgiven Maggie for getting pregnant? If Maggie had ever forgiven Vicki for kicking her out of the house?
“It was fine.” She shrugged. “Losing someone is always hard.”
Which told him nothing. Not that it was any of his business. He scrambled for something safe to say, but the only thing he could think of was, “Yeah. My father died last January. I know how hard these things can be.”
She smiled and her eyes brightened. “Oh, so you met your father? You had a relationship?”
“Yes and no.” He tapped his fingers on the edge of his desk, tamping down the sudden, unexpected urge to tell her everything. They weren’t friends anymore. She might act like the girl he’d known and loved, but she wasn’t. And he wasn’t the love-sick boy she’d married.
Still, he couldn’t ignore her question. “I met my father but we didn’t really have a relationship. Unless you call having dinner every other year a relationship.”
“That’s too bad.” Genuine regret colored her voice. “So how’s your mom?”
He chuckled. “She’s just like a little general at the daycare. Loves the kids, but keeps them in line.”
Maggie’s laugh was quick and easy. “God I missed her.”
“We missed you.” The words slipped out and he knew why. He was getting comfortable with her. And that was wrong. If they were going to work together, he had to draw lines. Be professional.
She looked away. “No point in staying once I’d lost the baby.”
Hearing her say that now hurt almost as much as it had the day she left. “Right.”
“Before I got pregnant, we both had plans.”
“Is that what you were thinking about while I was talking to my father’s attorney?”
For years he’d wondered. What kind of coincidence could it have been that the dad who’d ignored him his entire life suddenly wanted to give him a trust fund? Had it been a gift from fate to Maggie, or a curse of fate for him?
She caught his gaze. “Yes.”
When his heart squeezed, he swore at himself inwardly for asking the stupid question. He’d already reasoned all this out in his head. Gotten beyond it. There was no point going over it again. Certainly no point rehashing it with her. Fifteen years had passed and he loved the life he’d built without her.
If they were going to work together, the past would have to be forgotten. His only goal should be to make sure she really did have the education and experience to do the job.
“So you’ve have a business degree?”
“Yes.” She shifted on the chair. Her shoulders went back. Her expression became businesslike. “But I’m not looking down on this job. I think there are a lot of ways I can help you.”
“What did you do at your last job?”
“I was an analyst for a firm that put venture capitalist groups together with struggling businesses looking for investors or a buyer.”
“Do you know much about manufacturing?”
She laughed. “Most of the businesses looking for investors or buyout are manufacturing companies.”
He tapped his pen on the desk. He needed somebody and, as Julie said, Maggie was qualified. Now he and his ex-wife would be spending ten hours a day, six days a week together.
He looked over at her just as she looked at him and the years between them melted away. Her eyes weren’t as wary as they had been when she walked in the door. Her smile was genuine.
Doubt rumbled through his soul. In the sea of women that he’d dated since he’d hit puberty, she was the only one he’d loved. It had taken almost five years to really get beyond her leaving; years before he stopped hoping every ring of the phone was her calling; years before he stopped looking for her in crowds. One five-minute conversation had already brought an avalanche of memories. This was not going to be easy.
Don't forget! The prologue for SECOND CHANCE BABY is up on susanmeier.com!
And SECOND CHANCE BABY is out now!
The BABIES IN THE BOARDROOM series completes next month with A BABY ON THE RANCH. And, believe me, it was worth the wait. :)
OH! Almost forgot! COMMENT FOR A CHANCE TO WIN a copy of SECOND CHANCE BABY. Then check back on my DearReader blog on Monday May 30 to see if you're the winner. Winner must provide me with his/her snail mail addy within 10 days of the announcement.
So comment! And get a chance to win SECOND CHANCE BABY.
And don't forget the FREE story on the HAPPILY EVER AFTER section. If you're reading the series, you'll love Gino's story!
Doesn't it feel like just yesterday we were popping corks on champagne, celebrating the new year?
Time certainly does fly, but...I have to admit...I'm sort of thrilled that it's May. I love this month's release in the Baby in the Boardroom series, SECOND CHANCE BABY.
Nick and Maggie were a joy to write! Not only is Nick a cool southern gentleman with a great beach house, but Maggie is a fun, funny, hardworking woman just trying to get her life back together, who returned to Ocean Palms, North Carolina to be with her dad.
She's pregant with her ex-husband'd child, which annoys Nick since he was her first husband -- they'd married as teens when she'd gotten pregnant and they were incredibly happy -- but enter Stephone Andreas. Nick's missing father. At the worst possible time, he offers Nick a five million dollar trust fund. The only catch is he has to be single. Stephone blames his womanizing ways on being married when he became rich. He wasn't able to overcome the temptations thrown at him just because he had money and he cheated on Darius's mom with Nick's mom and Cade's mom and created two other Andreas heirs. So he's offering each of his sons five million dollars BEFORE they settled down to get all that out of their systems. So if Nick wants his five mill, he's gotta be single.
Of course, Maggie overhears the lawyer and of course she doesn't want him to give up his chance at success for her...Oh, wait! The whole scene for this is on my website! It's in the What Came Before section. If you want to read the heart-tugging scene where Maggie pretends she doesn't love Nick and leaves, it's online! You can read it now at susanmeier.com. Click What Came Before.
I loved Nick and Maggie's book and I think you will too!
This month is also my husband's birthday. Can't wait to see how we celebrate that. And I'll be speaking on a panel with Nancy Martin and Jonathan Maberry at the Published Authors Luncheon at the annual Pennwriters conference in Pittsburghon May 13.
This month in the eZine, we also have Lesson 3 of THE POWER OF QUESTIONS. And I'll give you my standard reminder that there are three free workshops on the site, GOAL SETTING, 10-MINUTE SOLUTION and HOW TO ANALYZE THE BOOKS YOU READ.
I'm also posting a time-management lesson (a very short lesson) on my blog every Monday. So watch for that!
Also Coming Attractions lists the schedule of my online workshops for the rest of the year, with the reminder that I'm only giving each workshop once. So if you miss it, you miss it until next year!
There's a cat tail!
And, of course, an excerpt from SECOND CHANCE BABY.
New recipes go up periodically in the HOME COOKING section of susanmeier.com.
And there are some short stories up too. This month in the HAPPILY EVER AFTER blog, Baby Gino's story is up! If you read THE BABY PROJECT, read the happily ever after that shows Darius and Whitney interfering (ever so slightly) in Gino's romance 30 years after the book.
So visit susanmeier.com and enjoy the freebies!
Happy reading!
susan
For the Writers Among us!
Lesson 3 Your Individual Story Question or Reader Question
Right now you’re thinking that the modified core story question we did in Lesson 2 is your INDIVIDUAL STORY QUESTION. Sorry. It’s the core or heart of your story, but it’s not the question that’s going to drag readers through the book. (So for simplification purposes we’re going to call this the reader question.)
Okay. So what do I mean by a question dragging readers through the book?
Simply put, your story question/reader question is the question the reader should consistently be asking as they are reading your book.
For instance, a few years ago I wrote a book SNOWBOUND BABY, about a hero and heroine who are stuck in the cabin in the woods. The hero is a trucker, estranged from his wealthy brothers, who happened upon the stranded heroine on an icy mountain road and gets stranded himself.
He has a secret. He's got a certified check for hundreds of thousands of dollars in his backpack because he's on his way to Arkansas to pay off his brothers, who bought the mortgage on his ranch, he believes, only to show him that they are always in control. His brothers have only ever wanted to control him. He trusts no one.
The heroine is a single mom. Her ex walked out when she got pregnant because he didn't "do" daddy. But her parents had also left when she was 18. As if 18 was some sort of magic number. They'd been unhappily married almost since the day she was born, but to assure she had a good upbringing they stayed together. But the minute she graduated from high school, they split! Happily. And both sort of forgot she existed. Oh, they send birthday cards, but they behave as if they've been left out of prison, for the first time able to have the lives they want. She feels very unwanted and unloved.
So…he can't commit. He thinks family sucks.
She needs a commitment from someone. She desperately wants a family. A real family.
They are doomed. The worst kind of mismatched.
The reader question isn't what has to happen to get these two together.
Readers won't read for that. That's an author question. We ask ourselves questions like this so that we can ascertain plot points and journey steps and know what to write next.
Your reader question is designed for READERS. It's what keeps them reading. Which means you also need to know it to make sure it stays in the forefront and pulls readers through your story.
So…what were my core story question and reader story question for SNOWBOUND BABY?
Core story: How will the hero and heroine get together when he doesn’t believe in love and she desperately needs to be loved?
Reader story question: Will she have enough time to realize his real problem is that he believes he's unworthy of love and then prove to him that he is?
The book was a sort of race against the clock. Though my heroine didn't realize she was trying to show the hero the power of love, readers knew only she could. But she didn't have a lot of time. As soon as the snow plow went through after the blizzard that stranded them, he would be on the road again.
Worse, he truly didn't believe. His parents had died when he was in his teens. His older brother – barely out of high school himself – raised him. All of his examples of love were examples of either being deserted or being controlled. (Because his poor older brother didn’t know better!)
And the heroine truly was a dreamer. She believed in love like no character I’d ever written. She was actually very fun to write!
Anyway, they were attracted, but had totally opposite beliefs. So there was a tension in there. The fact that they wouldn’t be in that cabin forever came smack dab up against her desperate need to be loved and his desperate need for someone to love him and prove to him that love existed.
And that's what kept readers turning those pages. Will they have enough time together or will he leave before she can prove to him that love exists?
Even better in SNOWBOUND BABY, in the black moment, it looked as if time had run out and she'd failed.
THAT's what keeps readers reading. The very real feeling that the heroine wasn’t going to satisfactorily answer the reader question because the answer was no!
In the black moment, it truly appeared as if all was lost and there absolutely was no way they’d ever see each other again. Because though she cared enough to find out details about him (like his last name), he wouldn’t tell her his address and he never asked for hers. Because they were travelers on a road, neither one of them could assume the other’s city or town of residence.
So the bottom line to all of this is:
The reader story question is something for readers. It's what keeps them reading.
YOU need to know it to make sure that it's always on the readers' minds.
Not necessarily as an actual question that pops up in the story (though sometimes you can have the heroine think or say: Will I have enough time with this guy to show him that love can be real?) but in most cases it actually manifests as something more like a reader reaction.
For example, at the end of one chapter of SNOWBOUND BABY when the hero sees how pretty the heroine is and knows it's been too long since he's been alone with a woman -- and that he doesn't want to hurt her because she's been hurt enough -- he ducks away from trouble by going to bed early …
And I could almost hear readers collectively groaning…Oh, God! He went to bed early. They only have a weekend together! She'll never have enough time to convince him.
That's one way to keep the reader question in the forefront. Consistently make it appear that the protagonist has failed, or is failing.
I realized this during the big romantic suspense craze. The reader story question usually is: "Will the female protagonist figure out who the killer is before he kills her?"
Reading those books, my lightning-fast mind realized that the authors always had to have the READERS afraid the protagonist wasn't quite going to succeed. Either she didn't know the depth of the threat or didn't have enough of the puzzle pieces to put it all together, or had decided to follow a wrong path.
In THE TERMINATOR (one of my favorite movies and a movie, by the way, that I think is just about perfect craftwise…) the “wrong path” technique is used. But it's used very cleverly. All the Sarah Connors in town are being murdered. But the heroine doesn’t know this. When two Sarah Connors are murdered, newscasters speculate that the killer at first got the wrong woman, discovered his mistake and murdered the right one. So, thinking the threat is over, our Sarah goes to a bar. And viewers begin to get nervous. We understand that she's been led down a wrong path…but we haven't been led down the wrong path! We know Arnold has killed others! Those victims simply weren't discovered yet. We want our Sarah Connor home…no better yet, we want our Sarah at the police station where she will be safe! And sure enough, who comes into the bar? Arnold, carrying a gun. The threat we perceived as viewers was very real and but our Sarah had wrong information.
What was the reader/viewer question?
What the hell is going on here that Arnold wants all the Sarah Connors dead and will our Sarah survive?
It takes a lot of the movie to answer the first part of that question for viewers. Mostly because it’s an action movie. The whole explanation can’t be spit out at one time because they’re always running. Second, the whole explanation can’t be spit out because it’s implausible. The man from the future needs to earn some reader/viewer trust before he can fully explain.
But that question…Why the heck does the Terminator want all the Sarah Connors dead and will our Sarah escape? . . . really keeps us on the edges of our seats!
The writers of the Terminator were always aware of their reader/viewer story question. Because in every scene Arnold was after her and she just barely escaped.
So let’s run over one more example of how to do this in a romance.
In my first release for Harlequin Romance HER PREGNANCY SURPRISE the reader story question was:
Will the heroine discover the hero didn't leave her to have their baby alone because he's bad, but because he blames himself for a tragedy in his life and he doesn't trust himself, and if she does will she be able to help him get beyond his grief so he can love her?
One of the things that I have discovered about a story question for a romance is that it sometimes needs to be two-tiered. The first part of the story question pertains to the external conflict. The second part to the internal conflict.
In HER PREGNANCY SURPRISE, the hero and heroine spend a weekend together, he leaves town on business and when he comes back he forgets how "wonderful" she is. (And she is. Truly.) They had a magical weekend, but he’s such a skeptical (hurt by love) guy that he convinced himself that the weekend (and heroine) weren’t that great.
Anyway, he is her boss, so when he returns to the office and she just happens to "visit" him at about 10:00, eager to see him…he breaks up with her. Readers know he's got a problem with blame. Something happened in his past that caused him to mistrust…especially himself and his own instincts.
But the heroine, who doesn’t know his past, believes he just used her because he’s a rich guy who feels he should be allowed to do things like sleep with his employees. So she sucks it up, and leaves his office with her dignity.
But two weeks later discovers she's pregnant. Being as mired in grief and guilt as he is, when she tells him, he thinks it's a trick to get him to take her back and he really doesn’t want anything to do with her then! He FIRES her and she has the baby alone.
So after the baby is born, she doesn’t trust him. Duh. No kidding. He behaved badly. But readers know he's not bad. They know he's suffering and struggling. But she doesn't know.
So the first part of the reader story question . . .
Will the heroine discover the hero didn't leave her to have their baby alone because he's bad, but because he blames himself for a tragedy in his life and he doesn't trust himself . . .
. . .pertains to her getting beyond the "thing" that is obvious and "out there" -- External. He hurt her. She doesn't trust him. There's more to his story than meets the eye, but she’s got to get past his hurting her before she can get to the real heart of the matter.
But isn't that true of all of life? Once you get beyond superficialities when you meet someone, you learn the truth and then you make a second choice. A more informed choice. Maybe even your real choice.
If you’re writing a romance, your book's reader question should work very much the same way. Once you get past the initial layer of a character's personality, the real conflict comes into play.
Back to HER PREGNANCY SURPRISE. . .
By the time she realizes he feels responsible for a tragedy, she's had a week of living with him to get to know him and she quickly realizes that if he could have prevented the accident he would have. Finding out his internal struggle, actually frees her to love him.
But…Will it do her any good?
Not unless she can get him to forgive himself.
Thus the second half of the reader story question is born…and it is based on internal conflicts. “…and if she does [realize he’s not “bad” but tormented by something in his past] will she be able to help him get beyond his grief so he can love her?”
So in a romance, the first half of the reader story question that draws readers through the story pertains to the external struggle; the second half to the internal struggle.
To recap…
The reader story question is a question you set up at the beginning of the book. It's something readers "voice" not by saying, Gee, I wonder if she'll be able to get him to trust himself so he can love her?
But rather, they voice it as reaction…They turn the page and keep reading as they’re thinking…Oh, Gosh, his life has been terrible to this point and the heroine doesn't know! He feels so darned bad that even if he tells her, and she understands and forgives him about the pregnancy, he's never going to let go of the blame enough to love her…
A reader question is born!
If you don't know your reader story question at the beginning of your book, your book will be unfocused. That's okay for the first chapter, maybe even the second, but by chapter three readers will tire of feeling like a candle in the wind.
Not because they want to be led by the nose, but because they want to be entertained. The best way for YOU to entertain them is to know the question they are asking themselves as they read. So that you can torture them…I mean entertain them.
For your homework, I’d like for you to go to your current WIP and define the question you believe readers will be asking as they read through your book. Then I want you to decide if that’s a good question. LOL
If it isn’t, or if there is no reader question, I’d like for you to write a reader question. A good one!
susan meier
SECOND CHANCE BABY, part of the BABY IN THE BOARDROOM mini-series from Harlequin Romance
Coming Attractions
August
Journey Steps. NEORWA
http://www.neorwa.com/index.php/Workshops/Workshops
Journey Steps, Taking the Train to Somewhere Ever wonder what you’re supposed to “put” in between those four or five turning points of your story? Susan Meier’s Journey Steps, Taking the Train to Somewhere provides quick, easy solutions for any author who has ever wondered “now what?” Topics include the “magic formula” for plotting, the list of five, explanation of plot threads versus subplot and tricks for writing an “edge-of-the-seat” read. Learn to tell your story in one straight-forward paragraph that can be used for pitches! Beginners, intermediate and experienced authors will benefit from this workshop.
October Preparing for Nano for Pennwriters. (See Pennwriters.org)
Cat Tails
Our poor sweet Fluffy cat is getting up in years and what's interesting is that as he gets older he seems to associate more to my husband -- the other old man in the house -- than to my daughter. There are times when he sits on the sofa with my DH that they look like two old men sitting on rockers outside the general store! LOL
Now that's a vivid image!
Excerpt SECOND CHANCE BABY
Chapter 1
“Your ex-wife applied for the job as your assistant.”
Nick Andreas glanced up at his current assistant, soon-to-be-retired Julie Farnsworth. He’d just flown back to North Carolina after six weeks in New York City. He was exhausted and wanted nothing more than to go to his beach house, get out of his monkey suit and take a nap on his hammock. He’d only popped into the office because he had a huge bid due to renew the government contract that was the bread and butter of his manufacturing plant. He had to get an assistant in now.
He just wasn’t sure hiring Maggie Forsythe as Julie’s replacement was the best way to go. When he had a bid due, his assistant worked with him – directly with him, at his side – ten hours a day, six days a week. No man wanted to spend that much time with his ex-wife. Not even an ex-wife he hadn’t seen in fifteen years. An ex-wife he barely remembered.
He tossed his pen to his desk. “You wouldn’t be telling me this if she wasn’t qualified.”
“She’s qualified. Over qualified in some respects.”
“And she actually applied?”
“Well, we certainly didn’t drag her in off the street.”
He laughed and leaned back in his chair. So Maggie wanted to work for him? He smiled skeptically as weird feelings assaulted him. He hadn’t thought about Maggie Forsythe in over a decade. Now, suddenly, he could vividly recall how the sun would catch her red hair and make it sparkle, her wide, happy smile, the sound of her laughter.
“Sorry if I’m finding all this a little hard to believe, but we didn’t exactly part on the best of terms. Andreas Manufacturing should be the last place she wants to work.”
His sixty-five-year-old assistant caught his gaze with serious dark eyes. “She needs the money.”
She was broke? The way he’d been when they’d met?
Memories of his childhood and teen years cascaded through his brain like water spilling from a waterfall. Maggie at six, toothless in first grade, dividing her morning snack with him before they went into the building so no one in their class would see he hadn’t brought one. Maggie at twelve, fishing with him so he and his mom could have something for supper. Maggie at fifteen, hanging out in the souvenir shop where he worked, entertaining him on long, boring afternoons before the tourist season picked up. Maggie at eighteen, swollen with his child.
A long-forgotten ache filled his chest and made him scowl. The woman he was remembering with such fondness had dropped him like a hot potato when she’d lost their baby. She hadn’t loved him. She’d only married him because he’d gotten her pregnant one reckless night. Twenty minutes after they returned from the hospital after her miscarriage, she was out the door of his mom’s house. Out of his life.
“She should have as many reservations about working with me as I have about working with her.”
“Her stepmom died while you were in New York. Rumor has it that she came home for the funeral and decided her dad needed her. She quit her job and moved back permanently but in three weeks of looking she couldn’t find work – unless she wants to commute to the city.” Julie peered at him over the rim of her glasses. “Aside from tourism, you’re the only real employer in Ocean Palms.”
He picked up his pen again. “Hire her.”
Julie gasped softly. “Really?”
“Sure. We were married as kids. Fifteen years have gone by.” He wasn’t such a selfish, self-centered oaf that he’d let someone suffer because she had the misfortune of having a history with him. He knew what it was like to have no options. He’d spent his entire childhood living hand-to-mouth. He wouldn’t ignore the person who, as a child, had shared with him, helped him, even rescued him a time or two.
Plus, if Julie said Maggie was the person for the job then she was.
Julie rose. “Okay. She’s in my office. She said she can begin today. I’ll bring her in and we can get started.”
Nick sat up in his seat. Today? He didn’t even have ten minutes to mentally prepare?
Julie walked to his office door and opened it. “Come in, Maggie.”
A true southern gentleman, Nick rose from the tall-back chair behind his huge mahogany desk. Ridiculously, he couldn’t squelch the pride that surged up in him as he took in the expensive Persian rugs that sat on the hardwood floors of his office, the lamps from China, the heavy leather sofa and chair in the conversation area, the art from the broker in New York City. He was rich, successful, and his office showed it. He’d fulfilled the promise of his youth. He had brains and skill and he’d parlayed those into wealth beyond anyone’s expectations. One look at his office would tell Maggie he wasn’t the eighteen-year-old boy she’d deserted anymore.
The click of high heels on the hardwood announced her arrival two seconds before she appeared in his doorway. Her gorgeous red hair flowed around her, but it was shaped and curled in a way that framed her face, not straight as she had worn it when they were married. Her once sparkly green eyes now held soul-searching intensity. Her full red lips rose slightly in a reluctant smile.
Just as he wasn’t the eighteen-year-old she’d left behind anymore, she didn’t look a thing like his Maggie.
He relaxed as his gaze involuntarily fell from her face to her dress. A simple red tank dress that showed off a newly acquired suntan, but also couldn’t hide her only slightly protruding stomach.
She was pregnant?
He gave her tummy a more thorough scrutiny.
She was pregnant.
And suddenly he was that eighteen-year-old boy again. Seeing his woman, the love of his life, swollen with his child. More memories washed over him. The dreams he’d had for the kind of father he would be rose up as if he’d been lost in them only yesterday. Love for her, the woman bearing his child, burst in his chest.
But this wasn’t his child. She’d lost their child.
And she didn’t love him.
Hell, he no longer loved her.
“Come in,” he said. His voice was tight with a bit of a squeak but he ignored that, motioning to the chair in front of his desk.
Maggie took a few hesitant steps inside. Now trim instead of lanky, she wore her pregnancy the same way another woman would wear a designer dress.
That was when he realized she was probably married. Happily married. Not scared and hesitant, but with no other options because her stepmom had kicked her out of the house. But happy. Having a child with the man she loved.
He swallowed the knot that formed in his throat, reminding himself that these emotions churning through him were ridiculous. He was over her. Plus, they hadn’t even seen each other in fifteen years. The feelings weren’t really feelings. They were residue. Like cobwebs that had clung to the walls of his brain and would disappear once he got to know the adult Maggie.
“Julie wants to hire you but I have a few reservations.”
He didn’t even try to stop the words that flowed from his mouth. Though he’d already told Julie to hire her, now that he saw that she was pregnant, he had some concerns. Not about the “feelings” seeing her pregnant aroused, but her ability to do the job.
She gracefully sat on the chair in front of his desk, smiled softly. “You mean because we were once married?”
He snorted a laugh, but Julie’s hand flew to her throat. “You know, I think I’ll just go get us some coffee.”
Nick said, “She can’t drink coffee,” at the same time that Maggie said, “I don’t drink coffee.”
Julie said, “Then I’ll get some coffee for myself.” She fled the room, closing the door behind her.
Nick sat back in his chair, reaching deep inside himself for the calm that was his trademark. He had to treat her as any other employee and speak accordingly.
“For the next four weeks I need to work ten-hour days.”
“Six days a week. I get that. Julie told me.”
“Can you keep up?”
“Of course, I can keep up. I’m pregnant not sick.”
The room plunged into eerie silence. Memories of the day she’d lost their baby haunted him like menacing ghosts.
As if recognizing where his thoughts had gone, Maggie sighed. “Nick, I’m fine. Really. And I need this job. If you don’t hire me I’ll have to get work in the city and commute an hour each way.”
“An hour commute might be better for a pregnant woman than racing around the plant looking for documents I need, assembling information from different departments--”
He paused to catch her gaze and when he saw green eyes sparking with fire, everything he intended to say fell out of his head. He remembered that look very well, remembered how many times it had taken them straight to bed.
“I already told you I can keep up.”
He took in a quiet breath, reminding himself that Maggie was a married woman who wanted to work for him. The last thing he needed to be thinking about was how her fiery need for independence had played out between the sheets.
“Yeah, well, maybe I want some kind of proof.”
She smiled sweetly, calmly. “In a couple of months, I’m not going to be pregnant anymore. Then you’re going to be sorry you lost the chance to hire me.”
A laugh escaped. Dear God. This really was his Maggie. Fiery one minute, serene the next. And the common sense, logical Maggie could be every bit as sexy as the impassioned one.
But she was married.
And he was a runaround now.
Having a father who’d abandoned him had made him want commitments, but Maggie leaving him had set him straight on that score. And he’d changed. He wasn’t simple Nick Roebuck anymore. The guy who hadn’t taken his father’s name. The guy who wanted commitments. A wife. Family. Nope. Nick Roebuck was gone. He was now Nick Andreas, playboy.
“Besides, my father needs me.”
Shifting in his chair, Nick blew his breath out in a gusty sigh. Who he was didn’t matter. Who she was didn’t matter. She was off limits. “I’m sorry about your stepmom.”
“Thanks.”
“I was out of town or I would have paid my respects.”
Her gaze dipped. “I know.”
“Was everything – you know – okay?” He nearly bit his tongue for his clumsiness. But what could he say? How could he ask if she and Vicki had mended fences? If they’d ever gotten beyond the fact that Vicki had favored Charlie Junior over her? If Vicki had ever forgiven Maggie for getting pregnant? If Maggie had ever forgiven Vicki for kicking her out of the house?
“It was fine.” She shrugged. “Losing someone is always hard.”
Which told him nothing. Not that it was any of his business. He scrambled for something safe to say, but the only thing he could think of was, “Yeah. My father died last January. I know how hard these things can be.”
She smiled and her eyes brightened. “Oh, so you met your father? You had a relationship?”
“Yes and no.” He tapped his fingers on the edge of his desk, tamping down the sudden, unexpected urge to tell her everything. They weren’t friends anymore. She might act like the girl he’d known and loved, but she wasn’t. And he wasn’t the love-sick boy she’d married.
Still, he couldn’t ignore her question. “I met my father but we didn’t really have a relationship. Unless you call having dinner every other year a relationship.”
“That’s too bad.” Genuine regret colored her voice. “So how’s your mom?”
He chuckled. “She’s just like a little general at the daycare. Loves the kids, but keeps them in line.”
Maggie’s laugh was quick and easy. “God I missed her.”
“We missed you.” The words slipped out and he knew why. He was getting comfortable with her. And that was wrong. If they were going to work together, he had to draw lines. Be professional.
She looked away. “No point in staying once I’d lost the baby.”
Hearing her say that now hurt almost as much as it had the day she left. “Right.”
“Before I got pregnant, we both had plans.”
“Is that what you were thinking about while I was talking to my father’s attorney?”
For years he’d wondered. What kind of coincidence could it have been that the dad who’d ignored him his entire life suddenly wanted to give him a trust fund? Had it been a gift from fate to Maggie, or a curse of fate for him?
She caught his gaze. “Yes.”
When his heart squeezed, he swore at himself inwardly for asking the stupid question. He’d already reasoned all this out in his head. Gotten beyond it. There was no point going over it again. Certainly no point rehashing it with her. Fifteen years had passed and he loved the life he’d built without her.
If they were going to work together, the past would have to be forgotten. His only goal should be to make sure she really did have the education and experience to do the job.
“So you’ve have a business degree?”
“Yes.” She shifted on the chair. Her shoulders went back. Her expression became businesslike. “But I’m not looking down on this job. I think there are a lot of ways I can help you.”
“What did you do at your last job?”
“I was an analyst for a firm that put venture capitalist groups together with struggling businesses looking for investors or a buyer.”
“Do you know much about manufacturing?”
She laughed. “Most of the businesses looking for investors or buyout are manufacturing companies.”
He tapped his pen on the desk. He needed somebody and, as Julie said, Maggie was qualified. Now he and his ex-wife would be spending ten hours a day, six days a week together.
He looked over at her just as she looked at him and the years between them melted away. Her eyes weren’t as wary as they had been when she walked in the door. Her smile was genuine.
Doubt rumbled through his soul. In the sea of women that he’d dated since he’d hit puberty, she was the only one he’d loved. It had taken almost five years to really get beyond her leaving; years before he stopped hoping every ring of the phone was her calling; years before he stopped looking for her in crowds. One five-minute conversation had already brought an avalanche of memories. This was not going to be easy.
Don't forget! The prologue for SECOND CHANCE BABY is up on susanmeier.com!
And SECOND CHANCE BABY is out now!
The BABIES IN THE BOARDROOM series completes next month with A BABY ON THE RANCH. And, believe me, it was worth the wait. :)
OH! Almost forgot! COMMENT FOR A CHANCE TO WIN a copy of SECOND CHANCE BABY. Then check back on my DearReader blog on Monday May 30 to see if you're the winner. Winner must provide me with his/her snail mail addy within 10 days of the announcement.
So comment! And get a chance to win SECOND CHANCE BABY.
And don't forget the FREE story on the HAPPILY EVER AFTER section. If you're reading the series, you'll love Gino's story!
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